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Chatting with FilmLight Baselight Workflow Specialist Andy Minuth
Baselight specialist Andy Minuth mixes deep technical knowledge of image processing and color management with nuanced creative instincts.
Using Baselight’s New Look Development Tool: Chromogen
Colorist Luke Ross explains how to use Baselight's new Chromogen look development tool to quickly craft custom film emulation looks.
Color Grading Animation with Seasoned Colorist John Daro
How does color-grading animation differ from live action? Find out in our discussion with veteran editor and DI Colorist John Daro.
A Career Empowering Colorists: Talking with Peter Postma
Peter Postma of FilmLight shares his involvement in creating foundational color grading tools and standards at Kodak and FilmLight.
DaVinci Resolve Printer Lights VS Baselight Base Grade Bumps
Explore and compare DaVinci's Printer Lights tool with Baselight's Base Grade Bumps controls, mapping either tool to a keyboard number pad.
Conforming in Baselight? Start here.
Learn the Conform tool in Baselight. Luke Ross solves importing a problematic EDL and eye-matching reference clip using two play heads.
Fixing Oversaturated and Out-of-Gamut Colours in Baselight LOOK
Colourist Luke Ross is back with Part 18 of his 'Learning Baselight Look' series. Learn how to fix oversaturated and out-of-gamut colours.
An Overview Of The Mind-Blending Control Panel In Baselight Student
Luke Ross teaches you how to use Blending Strips in the free Baselight Student. Plus, go down the rabbit hole of the Blending Control Panel.
Understanding Baselight Student's Colour Management Framework
In Part 8 of our series, learn the three colour space options that are essential to correctly colour grading in Baselight Student.
Baselight Student – Importing Media Using The FLUX Manage Viewer
Learn how to import media, bookmark folders, preview and edit footage into a sequence, using the FLUX viewer. Plus - recovering from a crash.
Color Grading Challenge – Tri-X Style Black & White
Dan briefs you on a Black & White Tri-X look. If you grade to his brief and post in the comments, he'll play 'client' and offer feedback.
Behind The Curtain – GH5 Music Video In Baselight Part Two
How easy is it to do final finishing in Baselight? Dan shares his approach to adding titles, audio, compositing and rendering
Behind The Curtain - GH5 Music Video In Baselight
Grading a one-shot music video shot on the Panasonic GH5 was challenging. Check out this Insight to learn Dan's approach.
Moving To Baselight Fulltime
In July I started the proecess of moving to Baselight full time for my grading. As a 10 year Resolve veteran I need to let go of the past
Baselight Start to Finish – Project Creation & Conform
Everything you need to know from project creation to starting your grade including, colour management, project management & Scene Detection
Baselight Start to Finish - Series Overview Kodachrome Inspired Look
An introduction into building a Kodachrome inspired look on Arri Alexa footage using Basegrade, Looks, Grain and Color Crosstalk
Grading Challenge – Baselight Sci-Fi Grade
In this insight Dan reviews your submissions and shares his own Sci-Fi look using primarily Baseilght Base Grade
Grading Challenge – Modern Sci-Fi Brief
Dan plays client and dishes out a grade brief for a Modern Sci-Fi film that he'd like you to execute. Remember there are no wrong looks!
Revisiting the Versatile RGB Mixer (in DaVinci Resolve)
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
From The Grading Suite: From Short Form To Reality
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.