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New Stereoscopic Tools for HDR Workflows in DaVinci Resolve
DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...
Colorist Inspiration – August 2016
The summer vacations are winding to a close, the kids are returning back to school and the post industry is winding up for that crazy blur that is the September…
From The Grading Room – Radiohead
Dan shares his story from the grading room on grading a short promo project for radiohead
5 Ways To Sell Clients On NOT Color Correcting In-House
In this Insight, discover 5 strategies for convincing clients to grade with you rather than color correct projects in-house.
Colorist Podcast: Episode 3
In Episode 3 of the Colorist Podcast Josh talks to well-known finishing artist & colorist Gray Marshall from Technicolor L.A. about his work.
What's New in the DaVinci Resolve 12.5.1 Update?
What's new in the DaVinci Resolve 12.5.1 Update? Learn about new features, new behaviors and general observations about this latest update.
Should You Go For That Film Look Or Embrace The Digital Clean Look?
Sometimes going for the film look is not the right decision. Dan shares his tips on going digital to give us great punchy sharp images.
Modulating Your Time Based On Client Budget & Needs
With constrained budgets, clients can't always afford your services. But maybe you can modulate your time and effort to meet their needs?
How to Protect Skin Tones While Color Grading with a Heavy Look
When working with heavy looks we sometimes forget about protecting skin tone and making our artist/actor look as good as possible
How to (mostly) Fix RGB Gamut Excursions in Software
If you're color correcting digital video for professional distribution, nothing is worse than having it rejected for RGB Gamut excursions!
Getting To Know The New Flanders Scientific BoxIO
Color management can be complex. We talk to FSI's Bram Desmet about their new BoxIO Lut box and how it can help on-set & in post.
Controlling Saturation in DaVinci Resolve
If you're looking for ideas on controlling excessive saturation in DaVinci Resolve, this tutorial will offer some food for thought.
How to Color Grade With Client Revisions In Mind
Sometimes we get lost in the heat of the moment and over complicate our grades. Dan shares his tips for responsible grading when time is short
Color Correction Gear Head: August 2016 Edition
In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools
Conform Issues Database – Introduction
Conforming timelines can be time-consuming before you even start color correcting. Learn the common issues (and how to fix them).
How to Optimize Tangent Control Surfaces for Premiere Pro CC
Learn how to optimize Tangent Control Surfaces for Premiere Pro with the Tangent Mapper—and massively speed up using Lumetri color effect.
Delivering Project Files: Making The Choice About Your IP
You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.
Colorist Inspiration – July 2016
Dan shares his top grades from July as a source of great colorist inspiration
Hands On the Tangent Element and Premiere Pro CC 2015.3
The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.
Resolve Remote Rendering: Setting Up A ProRes 'Dongle'
Working on a PC but need to render ProRes? In this Insight, learn how to setup Resolve remote rendering & use a spare Mac for ProRes renders
Dirty Color Grading Looks - Taking Your Image To The Limit
Dan shares his techniques for taking your image to the brightness, saturation, and sharpness limits while maintaining legal levels.