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HDR Essentials: Vocabulary & Workflow Webinar

In this Mixing Light Webinar replay, join Mixing Light co-founder Robbie Carman as he explores HDR essentials, including vocabuarly & workflow

Custom ACES Part 1: Building An ACES Workflow In A Resolve Node Tree

Learn how to leverage a powerful ACES workflow without any limitations, by customizing it a DaVinci Resolve node tree.

ACES and DaVinci Resolve 101 Webinar - Understanding the Workflow

Are you confused about what is ACES? What is it used for? How do you use and implement ACES within DaVinci Resolve? This webinar is for you.

Three Strategies for Increasing Color Separation in DaVinci Resolve

Do your images need to look more colorful? In this Insight, learn 3 color separation tools for increasing perceptual colorfulness.

Mastering DaVinci Resolve's Stabilizer and Classic Stabilizer

Learn DaVinci Resolve's Stabilizer and its legacy 'Classic Stabilizer'. This Insight is pulled from our Courses with a new introduction.

Take A Deep Dive Into Premiere's New Production Workflow

Premiere Pro's new Productions workflow is a massive boost to Premiere's capabilities and reliability. Forged by Hollywood, see how it works.

Baselight Start to Finish - Series Overview Kodachrome Inspired Look

An introduction into building a Kodachrome inspired look on Arri Alexa footage using Basegrade, Looks, Grain and Color Crosstalk

News: Mixing Light Launches 'Learn From Home' EDU Initiative

Through June 15, professors/adjuncts can provide free streaming access to Mixing Light for their students.

How Lumetri Differs From Resolve - And Why That Is A Good Thing

Learn how to use the flexibility of Adobe Premiere to overcome the limitations of its native color correction toolset using control surfaces.

Revisiting Streambox Realtime Sessions - Part 1

In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.

Creative Professionals, Contracts, Force Majeure in the Age of Covid-19

Attorney Seth Polansky, Esq, discusses the rights of creative pros if clients start pulling your jobs (and you've turned away other work).

Managing On-Set Local Area Networks - The Fundamentals

You can't network together your on-set production gear if you don't understanding IP networking. Get started with the basics: The IP Address.

Resolve Remote Workflow: Hawaii To LA & Back

In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.

Grading Challenge – Baselight Sci-Fi Grade

In this insight Dan reviews your submissions and shares his own Sci-Fi look using primarily Baseilght Base Grade

Taking A Look At Screen - A Modern Video Player For The Mac

In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.

Integrating Resolve's 'CST' Plugin with Fixed Node Trees

Learn how a pro colorist is integrating the Resolve 'color space transform' plugin into his fixed node tree to get better results, faster.

Revisiting Noise Reduction Part 2 - Digging Into Neat Video 5

Neat Video 5.1 is a powerful complement to DaVinci Resolve Studio's native noise reduction toolset. Get a close-uo look at Neat's workflow.

An Overview and Tour of DaVinci Resolve 16's Cut Page

When you open DaVinci Resolve 16 for the first time, you land on its Cut Page. How is it laid out? How does it differ from the Edit Page?

Quick Export: Customizing Resolve's New Export Features

DaVinci Resolve's Quick Export is often overlooked because it looks simplistic. Learn how to power up Quick Exports and save yourself time.

Revisiting RCM, ACES & CST Workflow

In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows

Separating Your Selections from Corrections in DaVinci Resolve

Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.

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