The CMR-M1 Edition – The Sunday Morning Color Grading Newsletter

July 14, 2024

News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 14 July 2024


Series
Issue DXC: The CMR-M1 Edition

The Color Grading Newsletter

News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sundays. Curated by a professional color grader and the CEO of MixingLight.com.
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Sunday, 14 July 2024
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Current Web Archives
2010 – 2023 Web Archives
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Curated & Published
by
Patrick Inhofer
From The Publisher
The summer season is sizzling along at Mixing Light Southern Command. I hope it’s gotten off to a good start for you.

Happy Grading!

I’ll see you next Sunday.

Sincerely,

Pat Inhofer
Chief Photon Wrangler, Publisher
MixingLight.com
The Craft
Featuring the work of creative craftsmen, the theory of color, and industry news. Learn practical workflows, useful theories, and actionable insights from existing (and emerging) leaders and teachers in our industry.
No readers wrote in about this Culver City Onyx LED screen to tell me how they liked the experience. But I did find this write-up. While largely positive, at the bottom, it highlights one concerning flaw.
Typically, I’d suggest you send this article to your favorite DP. But some of them may wonder if you’re commenting on their work – so maybe just read this, file it away, and use it in pre-production conversations. The last paragraph is the money shot. But here’s how Cullen Kelly starts the article:

“Exposing to the right is one of the best ways to set yourself up for success in your color grade. But there is one critical detail that many of us overlook. Let’s take a look inside DaVinci Resolve and see if we can get a better understanding of exposing to the right.”

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