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Taking An SDR Grade To HDR
One of the best uses for color-managed grading is the flexibility it offers for final deliverables. Making the creative grade inside a wide gamut intermediate space, then transforming into the desired display space allows for easier changes from one output format to another.
Notice I said easier, not easy. Taking a project from an original SDR only grade into HDR still requires both creative and technical work. The advantage color management provides is re-using as much of your original work as possible.
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Office Hours – ACES Color Management Using Nodes in DaVinci Resolve
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Dolby Vision – Custom ACES SDR to HDR Part 4 – Deliverables And QC
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Custom ACES SDR to HDR Part 3 – Dolby Vision Trims
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SDR To HDR Part 2 – Working With Graphics In Node-Level Color Management
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Custom ACES: SDR To HDR – Part 1
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Binary Logic In The Node Tree: Creating Procedural Node Structures
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Creating Reusable Custom Transition Presets In Fusion
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Custom ACES Part 4: Updating For Resolve 17
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