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Moving timelines into DaVinci Resolve Using EDLs - More Tips and Tricks

50 years later, the simple EDL is still useful for sharing timelines! Get more tips and tricks on integrating EDLs in colour managed projects.

Color Management For Preconformed Workflows With EDL Clip Names

Using Resolve's Edit Index and EDL comments, you can prepare a preconformed timeline for color management much easier than you think.

Building A Custom Color Grading Toolkit in Premiere Pro

Learn how to massively expand the functionality of Premiere's Lumetri panel by custom-mapping multiple disparate controls with an external control surface.

The DaVinci Resolve Speed Editor On The Color, Edit, And Cut Pages

The new DaVinci Resolve Speed Editor is a fantastic controller. Learn how to use it for color grading, online editing and multicam workflows,

Take A Deep Dive Into Premiere's New Production Workflow

Premiere Pro's new Productions workflow is a massive boost to Premiere's capabilities and reliability. Forged by Hollywood, see how it works.

How Lumetri Differs From Resolve - And Why That Is A Good Thing

Learn how to use the flexibility of Adobe Premiere to overcome the limitations of its native color correction toolset using control surfaces.

An Overview and Tour of DaVinci Resolve 16's Cut Page

When you open DaVinci Resolve 16 for the first time, you land on its Cut Page. How is it laid out? How does it differ from the Edit Page?

How to Set Up Premiere Pro for Quick Color Grading Sessions

Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.

Accurate Monitoring in Premiere - HDR and Apple displayP3 Colorspace

Learn how to set up Adobe Premiere Pro for HDR workflows and to make Apple Retina's displayP3 monitors 'accurate' for web-based deliverables.

How Do You Finish at the Highest Possible Quality in Premiere Pro CC?

Premiere Pro has strict, but hidden, color management. Learn how to setup the software and hardware for proper color management & finishing.

What Project Type Should I Use to Edit and Color Correct in Premiere Pro?

Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?

How To Avoid Two Gotchas In The Lumetri Workflow

Learn how to avoid two problems when color correcting using Premerie Pro's Lumetri workflow. It's all about recovering clipped detail.

Premiere Pro CC 2019 - An Overview of The New Lumetri Interface

Lumetri color correction in Premiere Pro 2019 has changed dramatically: What is new? Is it improved? And how useful is it?

Handling Over-Sharpening: How to Soften Footage Without Losing Detail

Drone footage adds tons of production value to projects. But the cameras often suffer from over-sharpening. Get tips for fixing this problem.

Permanently Adding LUTs To The Lumetri Color Panel: 2018 Update

Learn the new and officially sanctioned method for permanently adding LUTs to the Lumetri color panel in Premiere Pro CC 2018 and later.

Speed Boosting The Resolve Mini Panel With Gaming Keypads

Are you looking for ideas on programming your El Gato Stream Deck or Razer Orbweaver to speed up color correcting? Get some tips about focusing your efforts to reduce 'mouse travel' - increasing your productivity.

Testing The New 'Video Limiter Effect' In Premiere Pro CC 2018

Adobe re-built their Video Limiter Effect in Creative Cloud 2018. Can you trust the new effect to remove gamut excursion errors that will fail you in QC? This video Insight answers that question.

Multicam Gone Wrong: Re-syncing Clips in DaVinci Resolve 14

DaVinci Resolve's automatic syncing of multiple cameras for its multicam editing workflow often fails. Learn how to reliably re-sync cameras after creating a multicam clip.

CalMAN Part 10: Using Calibration Test Patterns In Your NLE

If you want to calibrate your reference display through your main non-linear editing software then you want to use calibration test patterns playing through a timeline. Learn how to be sure you don't have Data- and Video- level mismatches.

From The Grading Suite: From Short Form To Reality

Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.

Using Denoiser III On Challenging Footage (Compared to Neat Video)

Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.

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