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Clean Plates For Superior Chroma Keying In Resolve Fusion
Learn to use Fusion’s DeltaKeyer and CleanPlate tools - and how to replicate them in other tools - and improve final chroma keying results.
Advanced Chroma Keying Edge Operations, Light Wrap in Fusion
Learn to fix edges when chroma keying in Fusion. Blur, color correct, and extend colors on mask edges—including effective light wrap effects.
Identifying Chromatic Aberration And Removing Fringing
Colorist Daria Fissoun CSI discusses fringing and chromatic aberration. Including using a ResolveFX filter or an HSL qualifier to reduce it.
Fixing Overexposure In Standard Dynamic Range (SDR) Footage
Learn to restore overexposed standard dynamic range footage, using exposure planes & the face refinement ResolveFX - with tips and tricks.
‘Hard Comp — Soft Comp’ And Efficient Delta Keyer Workflows
Bernd Klimm shows you how to refine chroma keys for fine detail & hard edges using Fusion's matte controls, masks, despill, and more.
Jason Bowdach: Reverse Engineering Color In A Creative Mindset
The Color Timer chats with colorist and PixelTools founder Jason Bowdach CSI about how product development intersects with creative flow.
Slider-by-Slider: Using Resolve's New 'Film Look Creator'
Learn to use Resolve's 'Film Look Creator' plugin, slider-by-slider, with tips & advice. Does it compete with Dehancer Pro-style alternatives?
Step-By-Step: Mastering the Delta Keyer in Resolve Fusion
Learn how to set up Fusion for effective chroma keying workflows and understand the features of the delta keyer step by step.
Chroma Keying More Effectively With Magic Mask + Delta Keyer
Learn to use Resolve's machine-learning Magic Mask to help pull better keys more quickly, combined with an intro to Fusion's Delta Keyer.
ColorSlice: Deconstructing DaVinci Resolve's New Secondary Tool
Learn to use Resolve’s new subtractive saturation tool, ColorSlice, to create more nuanced color grades. Colorist Jason Bowdach deconstructs.
Baselight Primary Tools: Base Grade, Video Grade, and Film Grade
Kali Bateman CSI explores Baselight’s primary color grading operators and their differences. She shows which tools she uses, and when.
Chroma Keying Part 1: Quick Results Using Resolve's 3D Keyer
Learn to pull effective greenscreen keys with DaVinci Resolve's 3D Keyer from the Edit and Color page, by VFX artist Bernd Klimm.
Office Hours Live: NAB 2024 Recap and Resolve 19 Public Beta
We discuss insights from NAB2024 & the Resolve 19 Beta. Join Daria Fissoun & guests as they delve into Blackmagic's latest tools & hardware.
Developer Tom Huczek Discusses Nobe Omniscope
The Color Timer talks with Tom Huczek, the creator of Nobe Omniscope, including the advantages software scopes have over hardware scopes.
Lens Flare For HDR Enhancement And Lighting Repair
Learn how to use Lens Flares to add dynamic range in HDR workflows while also repairing and texturing the clipped highlights of light sources.
Colourist Comparison Pt 2: Comparing Workflows and Techniques
Colorists Kali Bateman CSI and Luke Ross reveal gritty details of their node trees - grading identical footage to the same creative brief.
Speed Shootout: DaVinci Resolve On Rocky Linux vs. Windows 11
Which is fastest with DaVinci Resolve? Windows 11 or Rocky Linux? Colorist Igor Riđanović tests his dual-boot system to find out!
Office Hours Live-NAB 2024 What We Expected + iPad Calibration
We discuss what we expected at NAB 2024, calibrating an iPad Pro, and how/if we're using the headline Resolve features of prior years.
Emulating Baselight's Texture Blend Tool For Noisy Secondaries
Colorist Marty Webb shows how to emulate Baselight's Texture Blending in DaVinci Resolve to control noisy secondary operations.
Fusion Tools for Colorists - Getting Comfortable Grading in Fusion
Learn to use the color-grading tools in Fusion, from Curves to Printer Lights while displaying multiple scopes with the viewer's A/B buffers.
Sky Replacements Inside DaVinci Resolve Using Match Move OFX
Learn the fundamentals of DaVinci Resolve's OFX 'Match Move' plugin - in a color-managed pipeline replacing the sky with an sRGB image.