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Create Custom Workspaces in PremierePro for Color Grading
Learn how to create custom workspaces for speeding up your color correcting in Premiere Pro CC.
From The MailBag Ep 26 - Holiday Marathon & R12 Training
In the latest installment of From The MailBag learn about our annual holiday marathon & our soon to be released Resolve 12 training
Colorist Inspiration - Adding Sunshine
Adding Sunshine In post can be tricky but Dan shares his techniques in DaVinci resolve to turn dull and grey images into warm and sunny!
Optimize Sequence Settings in Premiere for Color Grading
Learn how to optimize sequence settings in Premiere Pro CC 2015 to enable 10-bit rendering for color correction and effects processing.
Anatomy Of A Grading Suite: Additional Technical Setup
In the last installment of the 3 part series learn about computer setup, control surfaces, GPU expanders & other key accessories for a suite
Look Inspiration - Red Filtered B&W
Dan shares his thoughts on how to emulate shooting black and white with a red filter on front of the lens to give an interesting look.
Look Inspiration - Warm Commercial Look
Dan shares his attempt at matching the shot on 35mm film warm commercial look of one of his favorite commercials this year.
How to Build a Color Correction Demo Reel, Part 2
Watch a professional colorist share his process for creating a 3-minute Color Correction Demo Reel - including missteps.
Colorist Inspiration - November
Its time for the big christmas ads to roll out and more colorist inspiration. Dan share's some of the top work and one of his own.
Fighting The Feeling Of Failure
In any creative venture including color correction the feeling of failure is always lurking. Learn how to fight the feeling of failure.
How to Build a Color Correction Demo Reel
A Demo Reel attracts clients—but is it the 'right' kind of client? Learn to build a color correction demo reel that builds your career.
LUT Limitation - The Best Of Both Worlds
The main pain when working with LUTs is not knowing exactly what they are doing. Dan shares his technique of LUT Limitation.
Calibrating To Match: Perceptually Matching Two Monitors
Two monitors may not match even if calibrated to the exact same color and luminance values. Learn how to perceptually match two monitors
Finding Opportunities When Color Correcting
How do you stay creative when you're not feeling creative? Learn how one professional is always finding opportunities when color correcting.
Look Inspiration - Hyperreal Look
We all strive to create the most cinematic looking images possible but sometimes its fun to go for a harsh hyperreal sharp bright look.
Permanently Adding LUTs To The Lumetri Color Panel
Using LUTs with the Lumetri Color Panel can be tedious.In this Insight learn how to add LUTs permanently to the panel for quick access
Color Correction Breakdown: Solving Problems
In color correction we're solving problems. Sometimes they're handed to us, sometimes they're problems we created. See examples of both.
Tales From The Grading Suite - Lighting The Looks
When jobs look good you wonder why your own work might not look as good. In this insight Dan shares his thoughts on Lighting The Looks.
LAB Colorspace in DaVinci Resolve 12
How DaVinci Resolve 12 changes the way we write contrast curves in the LAB Colorspace. See the difference between Resolve 11 & 12 curves.
Tales From The Grading Suite - DP Colorist Communications
Have you ever wondered what it's like to speak to a DP before a job is shot? Dan shares a real world discussion on a tricky job.
Creating a 'Film Look' and Managing Film Grain
Breaking down the color correction for a 'webisode' and creating a 'Film Look'. Plus, ideas for managing film grain.