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Getting To Know ACES Part 1: Introduction
ACES (Academy Color Encoding Specification) is a professional color management system used by productions of all types. In Part 1, you learn about the problem it solves and basic terminology.
Revisiting Multi-Channel Audio Output In DaVinci Resolve
Resolve users are often tasked with making final outputs.In this Insight, learn how to easily route multi-channel audio for output.
Colorist Inspiration - UKMVAs Best Color Nominations 2016
Dan shares his thoughts about the 2016 best color grading award nominations and asks you to predict the winner
How to Work Around the 'Mouse Math Bug' in DaVinci Resolve
In an earlier video we showed you the 'mouse math bug' when color correcting in DaVinci Resolve—now learn how to work around it.
Getting To Know The DaVinci Resolve Control Panel - An Overview
The DaVinci Resolve Control Panel gives you the most hands-on control of Resolve. In this Insight, learn about the design & functionality.
Color Grading with the ResolveFX Lens Flare Plug-in
Dan shares his experimentation with the idea of grading using lens flares for subtle lighting effects to help match and lift scenes.
Colorist Podcast Episode 004
In Episode 4 of the Colorist Podcast Josh talks to well-known freelance colorist Mark Todd Osborne about his work & many interesting subjects
Color Correction Math in DaVinci Resolve: Control Surface vs. Mouse
Does the color correction math in DaVinci Resolve change depending if you're using a mouse versus using a colorist control surface?
Hands On the Tangent Ripple Colorist Control Surface and Tangent HUD
A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.
Color Correction Gear Head: September 2016 Edition
In this installment of Color Correction Gear Head we take a look at the Pascal Titan X GPU, LG B6 OLED, & some fantastic Focal Speakers
New Stereoscopic Tools for HDR Workflows in DaVinci Resolve
DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...
Colorist Inspiration – Â August 2016
The summer vacations are winding to a close, the kids are returning back to school and the post industry is winding up for that crazy blur that is the September…
From The Grading Room – Radiohead
Dan shares his story from the grading room on grading a short promo project for radiohead
5 Ways To Sell Clients On NOT Color Correcting In-House
In this Insight, discover 5 strategies for convincing clients to grade with you rather than color correct projects in-house.
Colorist Podcast: Episode 3
In Episode 3 of the Colorist Podcast Josh talks to well-known finishing artist & colorist Gray Marshall from Technicolor L.A. about his work.
What's New in the DaVinci Resolve 12.5.1 Update?
What's new in the DaVinci Resolve 12.5.1 Update? Learn about new features, new behaviors and general observations about this latest update.
Should You Go For That Film Look Or Embrace The Digital Clean Look?
Sometimes going for the film look is not the right decision. Dan shares his tips on going digital to give us great punchy sharp images.
Modulating Your Time Based On Client Budget & Needs
With constrained budgets, clients can't always afford your services. But maybe you can modulate your time and effort to meet their needs?
How to Protect Skin Tones While Color Grading with a Heavy Look
When working with heavy looks we sometimes forget about protecting skin tone and making our artist/actor look as good as possible
How to (mostly) Fix RGB Gamut Excursions in Software
If you're color correcting digital video for professional distribution, nothing is worse than having it rejected for RGB Gamut excursions!
Getting To Know The New Flanders Scientific BoxIO
Color management can be complex. We talk to FSI's Bram Desmet about their new BoxIO Lut box and how it can help on-set & in post.