Is the quest for a filmic look always the right option?
In this Insight we take a look at grading a fashion film shot in a studio, you’ll see how pushing things into a classic 35mm realm looks interesting but when compared to a digital sharp punchy grade looks weak. When working on a fashion film going for a light grade that looks punchy is a great option.
Enjoying A Light Grade
This week I graded some wonderful fashion films for a high street retailer.
They were shot in a white studio with all the models wearing white shirts/tops and either black or blue jeans.
We played around with the look for about an hour before I made the realisation that I had been going down the completely wrong path.
You can see some examples in the insight below of how I was pushing it towards my traditional love of a 35mm style grade.
What we actually ended up doing was very minor tweaks to the grade after applying the Log C to Rec709 LUT.
The client loved it but the hard part was me getting over the feeling that I had done enough.
When wiping between the before and the after we basically dropped the black down to add contrast, pushed a little contrast/pivot to add a gloss and then used some midtown detail and sharpening to make it pop.
It was a great reminder that some of the best clients just want to see a good final image rather than making something feel very graded for the sake of it!
Jump over to my video below for more examples of how this look evolved.
If you’ve got any questions, be sure to leave a comment!