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From The MailBag Episode 23
In this installment of From The MailBag we take a look at file naming and project organization as well as tips for sharpening footage.
Matching Shots in Final Cut Pro X - Redux
Shot matching is one of the most difficult color correction techniques. Learn a workflow for consistently matching shots in Final Cut Pro X.
From The MailBag Episode 22
In this installment of From The Mailbag, we discuss using grain as an external matte on a still & broadcast safe workflow.
Damage Control - DSLR Music Video Case Study
DSLR Music Video are pretty common and can be incredibly tricky. Dan shares one of his favorite music videos shot on DSLR
Final Cut Pro X - Color Balance Precision
Do you find it difficult to make precise Final Cut Pro X color balance decisions? This video tutorial will give you ideas for fixing that.
Damage Control - Working With Tricky DSLR Footage
Working with Tricky DSLR footage can be frustrating. Dan pulls out some awful clips from his archive and does his best to fix them.
From The Mailbag Episode 21
In this installment of From The Mailbag we explore the idea of a rolling conform in Davinci Resolve and using Dropbox to share databases
Damage Control - Creating A Look With Difficult Footage
Grading high quality is fun but what happens when you have difficult footage to begin with? Dan takes a look at Damage control when grading
Rendering Filtered Timelines in DaVinci Resolve
Rendering filtered timelines in DaVinci Resolve is a two-step process... Learn how to get it done.
A LightRoom LUT Workflow
In this Insight, learn how with help of a simple yet powerful plugin you can export Look Up Tables (LUTs) from Lightroom to use elsewhere.
Color Correction Workflow: Seeing Like Your Client
What's a quick and efficient color correction workflow when collaborating with a client? Part 1 shows you, using Resolve's Grouping feature.
Rediscover The Basics - Preparing For An Important Grade
You've landed the grade of your career, what happens next? Dan shares his preparation when a big job arrives for him to grade
Hands On With The HP Z840 Part 1
In this Insight,Robbie gets hands on with the powerful new HP Z840 & discusses his configuration and why he's making a the switch to Windows
Colorist Look Inspiration - Food Commercials
Food commercials can be the trickiest of grades as they push your skillset and leave little room for error. Here are some techiniques
How to Become a DaVinci Resolve Project Preset Ninja
Learn how to 'hack' DaVinci Resolve Project Presets so you can easily share them in other databases - or on someone else's computer.
Colorist Look Inspiration - Car Commercials
How do they make car commercials look so polished and refined? Dan shows you some common techniques used on a car commercial.
How to Use Project Presets in DaVinci Resolve, Part 1
If you want to learn how to wield Project Presets in DaVinci Resolve like a ninja, then you must understand Presets—which ain't easy.
Creating Skin Contrast With High/Low Key Techniques
In this Insight, learn how powerful shaping skin contrast around someone's face can be to make a shot more dynamic.
Rediscover The Basics - Advanced Node Operations
When you get into very advanced grading there are even more node operations to worry about. Dan shows you his layout for commercial grading.
Dealing With Helicopter Clients
Helicopters can hover, so can helicopter clients. Learn how to deal with micro managing clients in your next grading session.
Exporting LAB LUTs from Photoshop: Does it work?
Can you make extreme color corrections in LAB color space and export those LAB LUTs from Photoshop and have them work in Davinci Resolve?