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How To Develop A Fixed Node Structure In DaVinci Resolve: Part 1
Building out node trees on the DaVinci Resolve Color page can be a messy affair. And haphazard. Learn how to develop a personalized node tree.
Color Correction Gear Head: January 2019 Edition
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Behind The Curtain - 16mm Style Grade Part Three
Dan is back in part three of his unfiltered look at a recent grade. In this part we take a look at matching the externals in this 16mm style
Elsewhere On The Web: The Fall 2018 Edition
These 'don't miss' color grading related articles and videos are culled from 2018's 4th quarter of the weekly curated Tao Colorist Newsletter.
Is High Dynamic Range (HDR) Video Legit? Should I Invest In HDR Tech?
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
Behind The Curtain - 16mm Style Grade Part Two
Dan picks up where he left off in this series on real time grading a music video. In part 2 we look at the noisy internal scene.
Learning Fusion The Easy Way: Using Resolve's Fusion Text Generator
DaVinci Resolve's Fusion page is intimidating. In this video, learn an easy way of getting into Fusion, with a simple Text animation.
Handling Over-Sharpening: How to Soften Footage Without Losing Detail
Drone footage adds tons of production value to projects. But the cameras often suffer from over-sharpening. Get tips for fixing this problem.
Revisiting the Versatile RGB Mixer (in DaVinci Resolve)
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
Making It Pop: Evaluating Methods of Adjusting Saturation
Do all saturation controls behave similarly? Or are there subtle differences that add new arrows in your quiver of saturation controls?
How Do I Color Grade 1,500 Shot Timelines (on a deadline)?
Color grading 1,500 shots in a single timeline is daunting. We discuss a question about how to gain efficiency grading really long timelines.
Behind The Curtain - 16mm Style Grade Part One
Dan shares the opening part to his full unfiltered look at how he graded a music video in a 16mm film style.
How To Fight Periods Of Not Feeling Creative (and still be creative)?
Robbie, Joey, and Pat answer a member's question about how to handle periods of feeling creatively empty in the color grading suite?
Behind The Curtain - Cleaning Up For 2019
Dan shares his thoughts on trying to clean up his grades in 2019 and moving away from his favourite film emulation techniques.
Introduction to Fusion's 3D Camera, Part 2 (using Expressions)
Learn how to animate unrelated properties using Expressions. In Part 2, we use the Camera's Z-position to drive another element's Opacity.
The 2018 Mac Mini - Perfect Color Suite Companion?
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
An Introduction to Resolve Fusion's 3D Camera - Part 1
Learn how to get your Resolve Fusion composition into 3D space. Also, learn how false perspective is created and 3D cameras are animated.
Behind The Curtain - 16mm Film Emulation
In this Insight, Dan shares his approach to creating a classic 16mm Film Emulation that he used on a recent music video.
An Overview of PreRollPost - LTO Backup Software for Video Pros
How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?
An Introduction to Compositing in DaVinci Resolve Fusion
Using a simple green screen from a low quality source, learn the power of Resolve's Fusion. Learn Boolean, Merge, and MatteControl nodes.
Behind The Curtain - 80s Release Print Dirt & Texture
Finding the right balance of noticable and realistic is always a challenge. Dan shares behind the curtain on a film release print style grade.