First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.
Learn how to optimize Tangent Control Surfaces for Premiere Pro with the Tangent Mapper—and massively speed up using Lumetri color effect.
The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.
Get a look at the new features in Premiere Pro CC 2015.3 for existing color correction tools, including the Lumetri Effect.
Step 3 in our 'Premiere Pro Color Correction Protocol' is to control the viewer's eye. Learn how—by working with vignettes and custom masks.
Shot matching in Premiere Pro CC is the second step in The Color Correction Protocol. Learn how to stack filters and get the job done!
Learn how to use Premiere Pro Color Correction filters in a logical and organized method for any sized project. We start with contrast.
Working with LUTs and Camera Raw in Premiere Pro can be tricky. In this video, learn one workflow that makes it a bit easier.
Take a close look at the unique (and intuitive) HSL Keyer in Red Giant's Colorista III color correction plug-in.
Learn how to color correct with LUTs in Premiere Pro and the Lumetri Panel. Especially if your color correcting with RAW-, Log- or flat- recorded images.
Understand how the Lumetri Color Tools work in the latest version of Premiere Pro CC. Plus learn about a potential flaw in these tools.
The Lumetri Color Panel is a huge technical and workflow boost in Premiere Pro CC 2015. Learn why, and how to use the Lumetri Color Panel.
Do you think it's hard to color correct in Premiere Pro? Learn how broken color correction filters make the task harder than it needs to be.
Why is color correcting in Premiere Pro so hard? This article explores Premiere's 'legacy' color correction filters and finds the answers.
Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?
Watch an overview of how a professional colorist uses Magic Bullet Looks 3 to jump-start the 'look creation' process.
Learn how to create custom workspaces for speeding up your color correcting in Premiere Pro CC.
Learn how to optimize sequence settings in Premiere Pro CC 2015 to enable 10-bit rendering for color correction and effects processing.
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.
A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.
Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).
A tutorial and overview of using Colorista III in Final Cut Pro X. Learn how all it's tools work and why you might want to buy and use it.
This is a video overview and breakdown of the FCP X color correction plug-in 'Color Finale'
How to use shape masks when creating Looks in FCP X with the 10.2 update.
After shot matching comes Look creation. This is Part 1 on how to create Looks in FCP X 10.2 without using 3rd party plug-ins.
Shot matching is one of the most difficult color correction techniques to teach. Learn a workflow matching shots in Final Cut Pro X.
Do you find it difficult to make precise Final Cut Pro X color balance decisions? This video tutorial will give you ideas for fixing that.
Learn how to match shots in Final Cut Pro X using its unique interface. Part 4 of this series on how to color correct in Final Cut Pro X.
How do you know if your images are colorful enough? When's the best time to set your saturation in Final Cut Pro X? Find your answer here!
Understanding the Final Cut Pro X Exposure Slider is critical to knowing how to color correct in Final Cut Pro X. Click and discover: Why?
What if a professional colorist were required to color correct in Final Cut Pro X (without plug-ins)? We start by exploring Exposure.
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