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Back to Basics - Understanding Fusion's Path Modifier (Pt 5)
VFX Artist Bernd Klimm breaks down DaVinci Resolve Fusion's Path modifier - how it differs from an XY Path, and how one curve can drive motion, rotation, and paint.
The Bézier Edition - Sunday Morning Color Grading Newsletter
This week: Sex in movies, anatomy of a curve, Premiere's new Color Mode with its Architect, Retrograde, pattern generators, a new PowerMac?
Inside Premiere's Color Mode with 'Architect' Alexis Van Hurkman
Learn Adobe's new Premiere Color Mode with its designer Alexis Van Hurkman - the zone system, Lumetri's future, and the design philosophy.
Post NAB 2026: A Quieter Floor, AI, Premiere's Color Revival?
Explore NAB 2026's takeaways with five colorists: AI disruption, Premiere Pro's color comeback, and a storage crisis to plan for.
ACES 2.0 Volumetric Gamut Mapping - In Action
Colorist Billy Causey demos: ACES 2.0 vs 1.3 in SDR, the new JMH gamut, why your tools react differently, and eliminating red inversions.
Back To Basics - Fusion: Introduction To Modifiers (Pt 4)
Learn DaVinci Resolve Fusion's hidden Modifier system - what they are, finding them, the mental model that makes them click.
The Narnia Edition - Sunday Morning Color Grading Newsletter
Today: Teasing a new Mixing Light Course, 'Aliens' in 3D?, Color Mode in Premiere, upskill your audio game, Mac Studio RAM, and more...
Creating Custom False Color for Logarithmic Color Spaces
Build a log-based false-color LUT in Fusion for on-set monitoring, look development, and shot matching, centered on middle-gray evaluation.
The Infinity Edition — Sunday Morning Color Grading Newsletter
This week: On-set data collection codified, 'only in theaters', GaiaColor Analyzer, RAM shortage, ACES vs RCM, and more...
ACES, ACES 2.0, and RCM in 2026 - Which is the winner??
Compare ACES 1.3, ACES 2.0, and RCM in DaVinci Resolve. Examine rendering transforms, toe behavior, and RCM tone mapping.
The NAB 2026 Edition — Sunday Color Grading Newsletter
This week, NAB 2026, FSI and ARRI find new homes, Dolby Vision 2 and Pantone, Resolve 21 and Premiere's new Color workflow, and more...
Back To Basics- Fusion: Solving Common Beginner Mistakes (Pt 3)
VFX artist Bernd Klimm walks through the Fusion beginner mistakes he sees most often - and shares systematic debugging tips for Fusion.
Build a Dynamic, Cinematic Logo Reveal in Blender
Build a cinematic logo reveal in Blender using procedural curves, particle physics, and emission shaders. Render to ACES EXR for Resolve.
Tashi Trieu on Color Grading 'Avatar: Fire and Ash'
Discover how Tashi Trieu finished Avatar: Fire and Ash across 16 picture formats using Resolve 20.2, custom DCTLs, and AI coding tools.
Baselight 7 - Testing Auto-Resize Matching (with Machine Learning)
Rebuild broken conforms with Baselight 7's machine learning transform matching - from plain resizes to keyframed and stabilised shots.
Dolby Vision 2 Is Here: What Every Colorist Should Know in 2026
Learn what Dolby Vision 2 means for colorists: new tiers, Authentic Motion de-judder, ambient-light metadata. But where's creating courage?
The Mass Migration Edition — Sunday Color Grading Newsletter
This week: NAB 2026, Blackmagic announcements are just a day away, the ridiculous names of colors, film emulation, and more...
The Soranara Edition - Sunday Morning Color Grading Newsletter
This week... generative AI blues, NAB approaching, grokking Sat v Chroma, empty stages, simulating lenses, sayonara MacPro, low ΔE gaming...
The ΔE Edition — Sunday Morning Color Grading Newsletter
In this edition... The Framing Decision List, grading at speed, anamorphic fixes, XDR value proposition, and Oscar Piastri is MIA.
Back To Basics- Fusion: Expert Node Graph Tips & Tricks (Pt 2)
Master DaVinci Resolve Fusion's Node Graph with essential tips for faster connections, cleaner layouts, and efficient keyboard shortcuts.
Inspiration - 40th ASC Awards: A Round-Up of the Winners
Discover the 40th ASC Awards winners with trailers, crew credits, and curated resources for each cinematography category.