News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sundays. Curated by a professional color grader and the CEO of MixingLight.com.
With Mixing Light Contributors Rich Roddman C.S.I. and Jonny Elwyn
And Newsletter Reader Steve Hullfish
The Craft
Featuring the work of creative craftsmen, the theory of color, and industry news. Learn practical workflows, useful theories, and actionable insights from existing (and emerging) leaders and teachers in our industry.
“Learn about the latest in the Dolby Vision content creation tools and workflow.
Key topics will include: Dolby Vision 2 and what it means for creatives; a preview of Workflow Improvements for Colorists; and an NAB Wrap-up – Things we’re excited about… (Did someone see a GUI for Metafier?).”
“Adobe’s Color Mode in Premiere takes the top honor because it changes the conversation around finishing inside the edit. Rather than treating color as a separate step reserved for specialists, it brings a more visual, editor-friendly grading experience directly into Premiere, making the process feel immediate and approachable.
The result is a tool that reduces friction without dumbing anything down. It gives editors more control earlier in the pipeline, which is exactly why it felt like the most exciting overall product of the show.”
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