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Answering Member Questions: HDR and Dolby Vision Workflows
Grading and delivering HDR is a complex technical process. Learn to master it with an hour of expert insights from 3 professional colorists.
Understanding The Baselight 'X Grade' Tool For Exposure And Hue
Get an in-depth breakdown at one of Baselight's newest innovative and intuitive primary color grading tools, 'X Grade' for hue and exposure.
Restoring Archival Interlaced Masters For 4K Delivery & Posterity
Colorist Daria Fissoun shares a project she remastered to 4K. In Part 1 of this series, learn her project setup to prep the archival master.
Matt McFarland: A Filmic Time Traveller And ‘Forensic Colorist’
Learn how veteran colorist Matt McFarland restores old print masters to modern formats - with his deep mix of grading skills and experience.
Chroma Keying More Effectively With Magic Mask + Delta Keyer
Learn to use Resolve's machine-learning Magic Mask to help pull better keys more quickly, combined with an intro to Fusion's Delta Keyer.
Demystifying Colour Spaces, Transfer Functions, Colour Standards
Filmlight engineer Daniele Siragusano unpacks the foundations of colour science and how these concepts define essential industry workflows.
The 14th Anniversary Edition - Sunday Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 28 July 2024
ColorSlice: Deconstructing DaVinci Resolve's New Secondary Tool
Learn to use Resolve’s new subtractive saturation tool, ColorSlice, to create more nuanced color grades. Colorist Jason Bowdach deconstructs.
ARRI LUTs, Linux Resolve, Broadcast Safe, & Monitoring LUTs
Mixing Light's team answer: What's the correct ARRI LUT? Building a Linux Resolve system. Is Broadcast Safe obsolete? And monitoring LUTs.
The Stefan Edition - The Sunday Morning Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 21 July 2024
Baselight Primary Tools: Base Grade, Video Grade, and Film Grade
Kali Bateman CSI explores Baselight’s primary color grading operators and their differences. She shows which tools she uses, and when.
Chroma Keying Part 1: Quick Results Using Resolve's 3D Keyer
Learn to pull effective greenscreen keys with DaVinci Resolve's 3D Keyer from the Edit and Color page, by VFX artist Bernd Klimm.
CMR-M1 Edition – Sunday Morning Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 14 July 2024
Stuart Semple: Color as Inspiration, Performance Art, and Rebellion
The Color Timer explores the intersection of art, philosophy, rebellion, creation, and controversy with artist Stuart Semple. In 20 minutes.
Python 101 For Post: Intro To Python Scripting for DaVinci Resolve
In Part 5 of our Python scripting series, you will learn how to connect to Resolve's API, and connect to and manipulate timelines.
From Concept to Screen: Virtual Production in Film and Television
VFX Sup Bryn Morrow shares practical insights into film and TV volume production, from previz to final grading and the image pipeline.
The Minus One Edition – Sunday Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 30 June 2024
Office Hours Live: NAB 2024 Recap and Resolve 19 Public Beta
We discuss insights from NAB2024 & the Resolve 19 Beta. Join Daria Fissoun & guests as they delve into Blackmagic's latest tools & hardware.
Onyx Follow-Up Edition – The Sunday Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 23 June 2024.
Creating Custom Reusable Fusion Wipes for the Edit Page
Learn to build Fusion transitions ready for the Edit page using the Anim Curves tool to finesse every element of your template.
Developer Tom Huczek Discusses Nobe Omniscope
The Color Timer talks with Tom Huczek, the creator of Nobe Omniscope, including the advantages software scopes have over hardware scopes.