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Better Grades In Premiere Pro: The Tonal Range Definition
Premiere Pro has a powerful 3-Way Color corrector but by default its tonal range is narrow. Learn how to get better grades by adjusting it.
Colorist Inspiration - The Best UK Commercials of 2014
We take a look at the Best UK Commercials of 2014 in the world of uk color grading.
From The Mailbag EP 19 Skin Corrections & The Film Look
In this episode of From The Mailbag, the team explores fixing blotchy skin and what goes into a film stock emulation.
Dynamic Project Switching In DaVinci Resolve
Learn about a little known feature in Resolve 11 called Dynamic Project Switching that allows you instantly switch between large projects
Saturation in Final Cut Pro X: Is Your Image Colorful Enough?
How do you know if your images are colorful enough? When's the best time to set your saturation in Final Cut Pro X? Find your answer here!
Advanced Beauty Grading Part Two : The Fashion Look
Time to take the image into the next level with a fashion look in part two of the series on advanced beauty grading.
Why You Need To Dig Deep: Final Cut Pro X Exposure Slider
Understanding the Final Cut Pro X Exposure Slider is critical to knowing how to color correct in Final Cut Pro X. Click and discover: Why?
Creating LUTs From Adobe Photoshop
You've been able to apply lookup tables in Adobe Photoshop for a while, but a new feature gives the ability to export LUTs. Learn how!
Advanced Beauty Grading Part One
Advanced Beauty Grading is quite a dark art in the world of color grading. Dan shows you his approach to beauty grading on a commercial.
MailBag Episode 18:YouTube/Vimeo & SSD For Render Cache
Check out this episode of From The MailBag to learn about grading of Vimeo/YouTube & When to use an SSD For Resolve's Render Cache.
5 Things Keeping You From Becoming A Better Colorist
Everyone wants to get better at their craft. In this Insight learn about how to overcome 5 common barriers to becoming a better colorist
Dealing with Saturation in LAB Colorspace
In Part 5 of our LAB in DaVinci Resolve series, we answer members questions about dealing with saturation in LAB colorspace.
Photochemical Grading - Part Two
In part two of this series Dan dives into Resolve and tries out the methods first hand. Enjoying the restrictions and relief of grading.
DaVinci Resolve Node Trees for LAB Colorspace
Explore the different types of DaVinci Resolve node trees for LAB colorspace. Should we do all our work in one node? Or multiple nodes?
Adding Some Clarity: 3 Different Methods
The clarity slider in some Adobe apps is a popular way to add a little pop or punch to a shot. Learn 3 methods for emulating this control.
Photochemical Grading - Part One
Have you ever wondered why Christopher Nolan uses color timing instead of a DI for his grades? We take a look at the color timing world
From The Mail Bag Episode 17
In this installment of From The Mailbag, learn about our 25x25 Holiday Marathon & we each discuss our top 2 color related questions.
Final Cut Pro X Color Correction Challenge
What if a professional colorist were required to color correct in Final Cut Pro X (without plug-ins)? We start by exploring Exposure.
Getting To Know The Colorimetry Research CR-100 & CR250
The Colorimetry Research CR-100 & CR250 are two of the most affordable and accurate calibration meters on the market. Learn more...
Neo Noir B&W - Using Hardlight Blending Mode
Creating a feature film neo noir look can be tough. Dan shares his look using hardlight blending modes instead of his beloved curves.
LAB Color in DaVinci Resolve: Is it effective?
Explore several types of source footage to determine which one are best suited for working with LAB color in DaVinci Resolve.