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Colorist Inspiration: August 2015 MixingLight.com
Colorist Inspiration – August 2015 The Best Grades From Around The World The world of color grading is mostly a thankless craft. Regular viewers don’t even know we exist and most…
Color correcting raw footage using Camera Raw controls
DaVinci Resolve provides RAW controls for color correcting raw footage. Here are three rules if you want to use those controls.
Organizing the DaVinci Resolve 12 Media Pool
DaVinci Resolve 12 offers several new tools for keeping your Media Pool organizing. Learn how to use them when starting a new project.
Rebooting Your Eyes : How To Step Back From Your Grade
Rebooting Your eyes can be tricky after spending hours, days or even weeks on a project. Dan shares how to refresh your eyes for a grade.
The Business Of Business: Partnership Essentials
Forming a business partnership with someone else can be exciting, but not done right can cause a lot of trouble. Learn more in this Insight.
Anatomy Of A Commercial Color Grade
The question of how to commercials look so good crops up constantly. Dan shares the in and outs of a grading session to show you how
Is Changing ISO in Post Production Accurate?
When working with RAW-recorded video in post-production is changing ISO in software the same as doing it in-camera? Click and find out.
Resolve 12 First look: Resolve Color Management
Check out this Insight to learn more about the essential of the new Resolve Color Management (RCM) features of DaVinci Resolve 12
Resolve 12 First Look: Automatic Shot Matching
A most welcomed new feature in Resolve 12 is Automatic Shot Matching. In this Insight, learn how it works and if it's right for your workflow
Compositing in DaVinci Resolve 12 - A First Look
Have you ever tried compositing in DaVinci Resolve? It used to feel like a work-around. In Resolve 12, it's MUCH easier. This video explains.
First Look at the DaVinci Resolve 3D Keyer
Are you figuring out the DaVinci Resolve 3D Keyer? In this color correction tutorial we take a First Look at this new feature in Resolve 12.
Overview of the Koji Advance Film Emulation Plug-In
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
DaVinci Resolve 12 Public Beta 1: Special Report
Three colorists discuss DaVinci Resolve 12 including: What it means to use Beta software; favorite features (so far); areas of improvement
DaVinci Resolve 12 First Look : Colorist Crash Course Mixing Light
Resolve 12 is here and this insight is aimed to get experienced colorists up and running as soon as possible with some tips from Dan
Look Setting Review & Approval With Frame.io
Frame.io provides a ton of tools for collaboration including some great ways for a colorist to interact with their client. Learn more...
Changing Exposure in Post-Production: A Thought Experiment
Does the Exposure control for a RAW-recorded video file work the same as changing the iris on your camera? This video explores this concept.
Baselight For Avid - Using Windows and Shapes
Using windows and shapes for masking areas and localised corrections are essential when grading! Learn how it works in Baselight for Avid.
Using The EyeHeight Broadcast Video Legalizer Plug-in
File based or software video legalization can be hard. Check out this Insight to see how EyeHeight is making video legalization simple
Baselight For Avid - Colorist Crash Course - MixingLight.com
In this insight Dan gives you a crash course on all the major tool sets that you need to know to start grading in Baselight
An Overview: Nattress Levels and Curves for FCPX
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.
5 Ways To Get More Color Grading Work
No matter if you're currently slow or are looking for ways to stay busy, in this Insight learn 5 ways to get more color grading work