Mixing Light Contributors Joey D’Anna, Zeb Chadfield, and Jamie Dickinson join host Patrick Inhofer in leading a Mixing Light Office hours discussion. Today’s discussion includes:
What is the “Forward OOTF” option in CST?
How many hours would I need to do an HDR grade pass for a feature film?
How would you tackle a documentary series (8 Episodes) shot with several cameras?
What is the important metric for render-cache speed in hard drives?
Table of Contents
(bold = member question)
00:00 – Introduction
01:27 – What is the Forward OOTF Option in the Color Space Transform ResolveFX node?
07:45 – Discussion about DaVinci YRGB Color Management’s transforms
09:09 – How many days do we quote for a typical 100-minute feature film?
15:15 – The Team discusses grading in a theater (and grading for theatrical)
18:58 – How much time does it take to do an HDR trim pass?
28:57 – What about analyzing a grayscale ramp to generate Dolby Trims and cutting-pasting the grayscale results across an entire timeline?
35:38 – Is there a market for HDR/Dolby Vision mastering after the initial color grade?
40:43 – How do you approach a 3-4 camera documentary series where your only source material is the rendered ProRes444 picture lock?
48:30- From DaVinci Resolve, can you export the source file name comment in an EDL?
49:03 – What is the important metric for render speed in regard to hard drives?
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