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Answering Member Questions: HDR and Dolby Vision Workflows
Grading and delivering HDR is a complex technical process. Learn to master it with an hour of expert insights from 3 professional colorists.
Demystifying Colour Spaces, Transfer Functions, Colour Standards
Filmlight engineer Daniele Siragusano unpacks the foundations of colour science and how these concepts define essential industry workflows.
Office Hours LIVE! HDR White, Saturation Controls, New Displays
Mixing Light's professional colorists answer questions on graphic white points in HDR, crafting meaty saturation and the limitations of AI.
Office Hours - NAB 2023, Sony HX-3110, Resolve 18.5, Virtual Sets
Team Mixing Light discusses Sony's prototype 4,000nit display, Resolve 18.5 Beta new features, and colorist opportunities on Virtual Sets.
Color Grading Docs, HDR Trims, NVMe Disks for Cache, and more!
In this Office Hours, a team of Mixing Light Contributors tackles member questions about estimating time for HDR trim passes - and much more!
Streaming Dolby Vision, REC-709a, And Consumer OLED Displays
Team Mixing Light, and members, discuss streaming Dolby Vision mp4s; Rec. 709a (what is to be done); and consumer displays for grading.
Using Compound Clips For Dolby Vision Revisions & IMF Delivery
Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.
DaVinci Resolve 17.4.5 - Custom YRGB Output Color Spaces
Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.
Dolby Vision - Custom ACES SDR to HDR Part 4 - Deliverables And QC
In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.