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Office Hours LIVE! HDR White, Saturation Controls, New Displays

Mixing Light's professional colorists answer questions on graphic white points in HDR, crafting meaty saturation and the limitations of AI.

Office Hours - NAB 2023, Sony HX-3110, Resolve 18.5, Virtual Sets

Team Mixing Light discusses Sony's prototype 4,000nit display, Resolve 18.5 Beta new features, and colorist opportunities on Virtual Sets.

Color Grading Docs, HDR Trims, NVMe Disks for Cache, and more!

In this Office Hours, a team of Mixing Light Contributors tackles member questions about estimating time for HDR trim passes - and much more!

Streaming Dolby Vision, REC-709a, And Consumer OLED Displays

Team Mixing Light, and members, discuss streaming Dolby Vision mp4s; Rec. 709a (what is to be done); and consumer displays for grading.

Using Compound Clips For Dolby Vision Revisions & IMF Delivery

Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.

DaVinci Resolve 17.4.5 - Custom YRGB Output Color Spaces

Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.

Dolby Vision - Custom ACES SDR to HDR Part 4 - Deliverables And QC

In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.

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