Color Warper Tips Part 2 – Migrating Off Curves in DaVinci Resolve

March 2, 2022

Colorist Patrick Inhofer shares how he modified his approach to Resolve's Color Warper - and now rarely uses 'Hue vs' and 'Sat vs' curves.


Series

How changing my approach to the Color Warper made it more useful

In my previous Insight in this Series (renamed as Part 1), I shared a concept I call ‘pin patterns’ for some quick and easy adjustments in the Color Warper. Pin Patterns have helped me reduce mouse clicks for a few very common operations I’ve really come to rely upon in my fixed node trees.

But a few comments, emails, and conversations with Mixing Light members made it clear that many colorists haven’t figured out how to integrate the Color Warper into their day-to-day work.

I spent a little time contemplating why I was having success where others were struggling? I realized I didn’t properly share how I changed my mental model of using the Color Warper.

Changing my mental model of the Color Warper allowed me to integrate it more fully into my practice

Member Content

Sorry... the rest of this content is for members only. You'll need to login or Join Now to continue (your career will thank you!).

Need more information about our memberships? Click to learn more.

Membership options
Member Login

Are you using our app? For the best experience, please login using the app's launch screen


Is your career calling out for help?

Answer the call with a Mixing Light Membership. Gain client-tested tips, workflows, and add new skillsets from our pro Contributors!


JOIN NOW! You don't have to do this alone!
Loading...