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Baselight Inspired: Resolve’s Color Warper For Look Development

Colorist Jamie Dickinson is inspired by Baselight's Chromogen 'stages' paradigm of look development and applies it to Resolve's Color Warper.

Recreating the Kong: Skull Island ‘Toxic Yellow’ Look

Exercise your grading skills by matching Kong: Skull Island's 'Toxic Yellow' look in DaVinci Resolve. Luke Ross shares his approach.

Office Hours LIVE! HDR White, Saturation Controls, New Displays

Mixing Light's professional colorists answer questions on graphic white points in HDR, crafting meaty saturation and the limitations of AI.

Creative Look Inspiration - Wes Anderson's 'Asteroid City'

Build a low-contrast, targeted saturation look inspired by Wes Anderson’s 'Asteroid City', by learning how to evaluate the production stills.

Color Warper Tips Part 2 - Migrating Off Curves in DaVinci Resolve

Colorist Patrick Inhofer shares how he modified his approach to Resolve's Color Warper - and now rarely uses 'Hue vs' and 'Sat vs' curves.

Resolve Color Warper Tips Part 1 - Pin Patterns Within Fixed Node Trees

Learn how to build Color Warper 'Pin Patterns' for flexible saturation fixes in DaVinci Resolve and integrating them into fixed node trees.

Color Warper 101 Part 3: Creating Looks (Plus A Grading Challenge)

In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper.

Look Development Part 3: Sweetening The Color Palette

In the last installment of his series on the essentials of look development, Cullen Kelly guides you through the concept of preferential color mapping.

Color Warper 101 Part 2: Managing Points & Pins + Chroma-Luma Panel

In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.

Color Warper 101 Part 1: Concepts and Interface Fundamentals

The new Color Warper in DaVinci Resolve 17 is very powerful, very accurate, but a bit complicated. In Part 1, learn this tool's fundamentals.

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