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The Art of Color Grading Animation with Keiran Lee
Supervising Colorist Keiran Lee reveals insights on the technical and creative differences in grading feature animations and VFX-heavy films.
The R20 Edition - Sunday Morning Color Grading Newsletter
This week: Cinema's decline, Resolve 20 emerges, color nightmares, ProRes, saturation, QD-OLEDs, chipsets, storage, April Fools, and more...
The Burano Edition - The Sunday Color Grading Newsletter
This week: Reinventing Hollywood, Oscar-nominated and broke, group grading in Premiere, camera exposure tests, and inconvenient objects.
A Simple Hack for Group Color Grading in Adobe Premiere Pro
Learn a 'quick hack' to speed up your color grading workflow in Premiere (or Final Cut) by emulating DaVinci Resolve's 'groups' feature.
The S&M Edition - The Sunday Morning Color Grading Newsletter
This week: Filmlight goes Mac, Exploitation in post production, the value of expertise, Apple Silicon, and much more...
Fusion Color Management in DaVinci Resolve 19 - Part 2
Build a node-based workflow for accurate color management in DaVinci Resolve Fusion 19 when in Linear space. It's easy when you know how!
The Technicolor Edition - The Sunday Color Grading Newsletter
This week: Technicolor's demise, a new color space, more Python coding, new Mac Studios, smell-o-vision, and more...
Crafting Looks, Building Workflows, and Thriving in a New Market
Senior Colorist Abe Wynen shares how to succeed as a colorist when moving from Melbourne to Toronto and building client trust from scratch.
Python 101: Update Fusion Graphics from Spreadsheet Data
Learn to code a Python script to update DaVinci Resolve Fusion graphics and export each new timeline automatically, saving hours of effort!
The Chiaroscuro Edition - The Sunday Color Grading Newsletter
This week: Lighting techinique, industry standards, broadcast captions, moving at Avid speed, updated manuals, RX 9070XT, and more...
Delivering 608 & 708 Captions (which Resolve doesn't support)
Colorist and finisher Patrick Inhofer shares how he developed his workflow for embedding 608 & 708 captions - which Resolve doesn't support.
The Color Timer Podcast with Colorist & Trainer Daria Fissoun, CSI
Have you ever wondered where the terminology used in color grading originates? Discover this fascinating history with colorist Daria Fissoun.
Selecting High-Performance Post-Production Media Storage
What's the best storage for video post-production? How do NVMe, SSD, LTO, and HDD compare? Mixing Light shares expert answers from OWC.
The Heart of the Andes Edition - Sunday Color Grading Newsletter
This week: The 'look' of movies (again), Nosferatu, Avid to Resolve, Saturation, ARRI Dailies, RTX 5090, Baking Soda, and more...
Switching from Avid Media Composer to DaVinci Resolve Part 1
Land the switch from Avid Media Composer to DaVinci Resolve by understanding how key project settings relate to each other.
How to Create Professional High-Quality Video Tutorials
Learn to create professional video tutorials with these tips and tricks from professional trainer and Mixing Light contributor Daria Fissoun.
The AFC (or maybe NFC) EditionโSunday Color Grading Newsletter
This Week: Super Bowl LIX, Technical Awards, ARRI whitepapers, Middle Gray, Fusion Color Management, Lego Meets Minecraft, and more...
Manual Fusion Color Management in DaVinci Resolve 19 - Part 1
DaVinci Resolve 19 adds a Managed Color Space View LUT for accurate Fusion color management in ACES and OCIO profiles. Here's how to use it.
Chatting with FilmLight Baselight Workflow Specialist Andy Minuth
Baselight specialist Andy Minuth mixes deep technical knowledge of image processing and color management with nuanced creative instincts.
The Food(ie) Edition - Sunday Morning Color Grading Newsletter
This week: Awards season, running a color grading business, Baselight Chromagen, DCTLs, B-stock, and something tasty.
Using Baselightโs New Look Development Tool: Chromogen
Colorist Luke Ross explains how to use Baselight's new Chromogen look development tool to quickly craft custom film emulation looks.