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Inside Premiere's Color Mode with 'Architect' Alexis Van Hurkman
Learn Adobe's new Premiere Color Mode with its designer Alexis Van Hurkman - the zone system, Lumetri's future, and the design philosophy.
Post NAB 2026: A Quieter Floor, AI, Premiere's Color Revival?
Explore NAB 2026's takeaways with five colorists: AI disruption, Premiere Pro's color comeback, and a storage crisis to plan for.
ACES 2.0 Volumetric Gamut Mapping - In Action
Colorist Billy Causey demos: ACES 2.0 vs 1.3 in SDR, the new JMH gamut, why your tools react differently, and eliminating red inversions.
Back To Basics - Fusion: Introduction To Modifiers (Pt 4)
Learn DaVinci Resolve Fusion's hidden Modifier system - what they are, finding them, the mental model that makes them click.
The Narnia Edition - Sunday Morning Color Grading Newsletter
Today: Teasing a new Mixing Light Course, 'Aliens' in 3D?, Color Mode in Premiere, upskill your audio game, Mac Studio RAM, and more...
Creating Custom False Color for Logarithmic Color Spaces
Build a log-based false-color LUT in Fusion for on-set monitoring, look development, and shot matching, centered on middle-gray evaluation.
The Infinity Edition — Sunday Morning Color Grading Newsletter
This week: On-set data collection codified, 'only in theaters', GaiaColor Analyzer, RAM shortage, ACES vs RCM, and more...
ACES, ACES 2.0, and RCM in 2026 - Which is the winner??
Compare ACES 1.3, ACES 2.0, and RCM in DaVinci Resolve. Examine rendering transforms, toe behavior, and RCM tone mapping.
The NAB 2026 Edition — Sunday Color Grading Newsletter
This week, NAB 2026, FSI and ARRI find new homes, Dolby Vision 2 and Pantone, Resolve 21 and Premiere's new Color workflow, and more...
Back To Basics- Fusion: Solving Common Beginner Mistakes (Pt 3)
VFX artist Bernd Klimm walks through the Fusion beginner mistakes he sees most often - and shares systematic debugging tips for Fusion.
Build a Dynamic, Cinematic Logo Reveal in Blender
Build a cinematic logo reveal in Blender using procedural curves, particle physics, and emission shaders. Render to ACES EXR for Resolve.
Tashi Trieu on Color Grading 'Avatar: Fire and Ash'
Discover how Tashi Trieu finished Avatar: Fire and Ash across 16 picture formats using Resolve 20.2, custom DCTLs, and AI coding tools.
Baselight 7 - Testing Auto-Resize Matching (with Machine Learning)
Rebuild broken conforms with Baselight 7's machine learning transform matching - from plain resizes to keyframed and stabilised shots.
Dolby Vision 2 Is Here: What Every Colorist Should Know in 2026
Learn what Dolby Vision 2 means for colorists: new tiers, Authentic Motion de-judder, ambient-light metadata. But where's creating courage?
The Mass Migration Edition — Sunday Color Grading Newsletter
This week: NAB 2026, Blackmagic announcements are just a day away, the ridiculous names of colors, film emulation, and more...
The Soranara Edition - Sunday Morning Color Grading Newsletter
This week... generative AI blues, NAB approaching, grokking Sat v Chroma, empty stages, simulating lenses, sayonara MacPro, low ΔE gaming...
The ΔE Edition — Sunday Morning Color Grading Newsletter
In this edition... The Framing Decision List, grading at speed, anamorphic fixes, XDR value proposition, and Oscar Piastri is MIA.
Back To Basics- Fusion: Expert Node Graph Tips & Tricks (Pt 2)
Master DaVinci Resolve Fusion's Node Graph with essential tips for faster connections, cleaner layouts, and efficient keyboard shortcuts.
Inspiration - 40th ASC Awards: A Round-Up of the Winners
Discover the 40th ASC Awards winners with trailers, crew credits, and curated resources for each cinematography category.
Deep Dive on Cullen Kelly's New Genesis Plugin
Explore Genesis, Cullen Kelly's film emulation plugin for Resolve, with tips on negative stocks, development controls, bleach bypass, & more.
The 100 Million Colors Edition Edition — Color Grading Newsletter
This week...Math for Colorists, Grading Fire and Ash, Generating End Credits, M5 Pro and M5 Max, and much more...