Learn how to animate unrelated properties using Expressions. In Part 2, we use the Camera's Z-position to drive another element's Opacity.
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
Learn how to get your Resolve Fusion composition into 3D space. Also, learn how false perspective is created and 3D cameras are animated.
In this Insight, Dan shares his approach to creating a classic 16mm Film Emulation that he used on a recent music video.
How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?
Using a simple green screen from a low quality source, learn the power of Resolve's Fusion. Learn Boolean, Merge, and MatteControl nodes.
Finding the right balance of noticable and realistic is always a challenge. Dan shares behind the curtain on a film release print style grade.
Resolve's new scripting APIs open up exciting new possibilities. Learn how to get started by using Python to import comments from Frame.io.
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
Dan shares his technique of using the multiply blending mode to recover highlights easily and naturally via a layer node.
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.
Dan shares his thoughts on the UKMVA Nominations 2018 for best grading. This year he was also part of the judging panel.
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
Dan shares his 90s video review and his attempt at going bold, bright soft and crushed in this grading challenge.
The 5 'pillars' of the digital video revolution evolve at a different paces - but are driven by the same force. We covers two more pillars.
Team Mixing Light is once again joined by Joey D'Anna to discuss integrating graphics and text into Dobly Vision HDR projects.
In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.
Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.