Learn the 'rules' when exporting LUTs in DaVinci Resolve 15. You also learn how to break a LUT to understand the problems with many LUTs.
In this installment of From The MailBag, we discuss a question we've been getting a lot - is it worth getting the FSI XM650U over an LG OLED?
Take charge of all the audio sync functions from inside of Silverstack XT and LAB! Learn manual and automatic double-system sound sync.
Dan shares a tale of things going a bit wrong on a live concert grade w/ high powered LED lights and how moving over to ACES solved things.
Learn the new and officially sanctioned method for permanently adding LUTs to the Lumetri color panel in Premiere Pro CC 2018 and later.
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
The only person that is going to inspire you is yourself. A Look Library surrounds you with inspiration keeping you motivated and current.
I was very excited about the Sound Library feature released with DaVinci Resolve 15 Public Beta. But my experience using it is very disappointing. Learn how this feature works, why it feels very incomplete, and how it needs to improve.
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
Are you looking for ideas on programming your El Gato Stream Deck or Razer Orbweaver to speed up color correcting? Get some tips about focusing your efforts to reduce 'mouse travel' - increasing your productivity.
Now that DaVinci Resolve is gaining tools by the month, Dan takes a look at managing the node graph to keep things organised and flexible - with the goal of allowing for quick changes.
Adobe re-built their Video Limiter Effect in Creative Cloud 2018. Can you trust the new effect to remove gamut excursion errors that will fail you in QC? This video Insight answers that question.
Team Mixing Light continues the advice theme of recent episodes and discuss the best advice that we've received that's helped our color correction careers. From attitude to technical and creative advice it's all helped each of us have successful careers.
In this 'Resolve Mini' control surface Video Review, see several exciting features in action - plus a bug that confuses things.
What makes an award-winning grade so special? Dan attempts to break down what made the Lacoste, Timeless commercial so special and how we can pick up some tips to use on our own grades.
Learn some of my best tips and tricks for self-promotion and building a strong personal brand online, without feeling weird or insincere - even if you're socially awkward and aren't good at 'networking'.
In an earlier Insight, you learned how to Stress Test your Look Up Tables (LUTs) to discover if they are introducing artifacts in your images. In this Insight, learn how easy (or hard) it is to generate 'broken LUTs' in DaVinci Resolve.
It's been a little over a month since NAB 2018. In this From The Mailbag, we sit down to discuss all the things we saw including our thoughts on Resolve 15, new HDR monitoring, control surfaces and more.
The latest release of DaVinci Resolve 15 is very exciting. But it's currently in 'Public Beta'. What does this term really mean? And how can you update to it without putting your computer (or your projects) at risk?
Look-Up Tables (LUTs) are black boxes that make it difficult to know what precisely they're doing to your image. Colorist Jason Bowdach shows you how to stress test and evaluate your LUTs.
Recently we've been getting a lot questions from young members asking how to get started as a professional colorist and how has grading changed over the years? We tackle those questions and more in this audio Insight of From The MailBag.