Resolve's new scripting APIs open up exciting new possibilities. Learn how to get started by using Python to import comments from Frame.io.
In this installment of From The Mailbag, Team Mixing Light discusses if it's a colorists' responsibility to archive media and project files.
Dan shares his technique of using the multiply blending mode to recover highlights easily and naturally via a layer node.
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.
Dan shares his thoughts on the UKMVA Nominations 2018 for best grading. This year he was also part of the judging panel.
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
Dan shares his 90s video review and his attempt at going bold, bright soft and crushed in this grading challenge.
The 5 'pillars' of the digital video revolution evolve at a different paces - but are driven by the same force. We covers two more pillars.
In this installment of From The Mailbag, we're once again joined by Joey D'Anna to discuss graphics and text in Dobly Vision HDR projects.
In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.
Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
Dan kicks off a new grading challenge where he plays your client. It's based on a 90s pop video style color grade he recently recreated.
Are you trying to do Photoshop's Channel or Luminosity Mask techniques in DaVinci Resolve? Learn how, by simplifying the workflow.
Drone footage is a very common occurance on timelines these days. Dan shares his techniques for adding depth to the footage.
Are you replicating Photoshop's Channel Masks and Blending Modes workflows in DaVinci Resolve? Learn how (and why you might not want to).
In this installment of From The Mailbag we're joined by Joey D'Anna and discuss what can DPs and onset staff do to make final color easier?
Colorist and finisher Jason Bowdach shows you how the Vidchecker Quality Control software works, and if he thinks it is worth the investment?
Resolve 15 supports the ability to create DCPs natively. In this Insight, learn how that works and get back ground info on essential DCP specs.