Create a clean plate to remove an item using Fusion's Clone Brush. Then mask an area, replace it, and track the replacement onto the shot.
Dan shares his story from a recent "not so near-set grade" for an upcoming collaboration with friends on a short film.
In this installment of From The Mailbag, we take a look at trends and thoughts about 2018 and discuss what 2019 will hold for colorists.
My list of key software utilities for post production professionals may help you a solve annoying (or critical) problems. For Mac & Windows.
Lumetri color correction in Premiere Pro 2019 has changed dramatically: What is new? Is it improved? And how useful is it?
Learn how to deconstruct a pre-built Fusion animation that ships with DaVinci Resolve. After studying one, we revise our animation to match.
Building out node trees on the DaVinci Resolve Color page can be a messy affair. And haphazard. Learn how to develop a personalized node tree.
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Dan is back in part three of his unfiltered look at a recent grade. In this part we take a look at matching the externals in this 16mm style
These 'don't miss' color grading related articles and videos are culled from 2018's 4th quarter of the weekly curated Tao Colorist Newsletter.
In this installment of From The Mailbag we discuss a member question about if HDR is here to stay and should one be investing in HDR tech.
Dan picks up where he left off in this series on real time grading a music video. In part 2 we look at the noisy internal scene.
DaVinci Resolve's Fusion page is intimidating. In this video, learn an easy way of getting into Fusion, with a simple Text animation.
Drone footage adds tons of production value to projects. But the cameras often suffer from over-sharpening. Get tips for fixing this problem.
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
Do all saturation controls behave similarly? Or are there subtle differences that add new arrows in your quiver of saturation controls?
In this installment of From The Mailbag, we discuss a member question about how to gain efficiency grading 1500+ shot timelines.
Dan shares the opening part to his full unfiltered look at how he graded a music video in a 16mm film style.
In this From The Mailbag, our team answers a member question about how to handle periods of not feeling creative in the color suite.
Dan shares his thoughts on trying to clean up his grades in 2019 and moving away from his favourite film emulation techniques.
Learn how to animate unrelated properties using Expressions. In Part 2, we use the Camera's Z-position to drive another element's Opacity.