Mezzo Soprano Emily Harmon On Seeing Color Harmonies In Music

November 14, 2024

See color differently by understanding the phenomenon of synesthesia, as explored in my conversation with Opera singer Emily Harmon.


Series

Chatting with Opera Singer Emily Harmon on how she sees color in music

The Color Timer podcast aims to explore the world of color from the vantage point of professionals who work with color.

In today’s episode, we take a slightly different angle. We explore color through the eyes of a professional who works with music. Operatic mezzo-soprano Emily Harmon shares how music affects her vision and her extraordinary relationship with color through synesthesia.

Synesthesia: a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway. – Wikipedia

I found our conversation fascinating, and it led me to question how a color grade could be shaped by the emotion of the moment, even at a subconscious level.

Listening to Beethoven’s Nineth symphony is one of my most powerful synesthetic experiences.

One of the reasons it’s still so special to me is because every time I hear it, my brain conjures this image of blues and greens and gold just sort of exploding, like kind of amorphous fireworks.

Emily Harmon, Mezzo Soprano

Emily shares the Harvard study on synesthesia she took part in. She discovered there’s quite a strong link between those who have perfect pitch, as she does, and other musicians who experience this phenomenon.

Another interesting aspect of Emily’s experience of color was that, consistently, different musical keys evoke specific color associations for her, and keys that share similar harmonics can mix together to create a unique internal color grade.

Between F major and A flat major, you have F minor.

So there are these kind of greens of F that have been darkened with the minor and then these little shoots of pink and magenta from the A flat major …

So F minor for me is like a wilting flower in that way, which is like sad, but like a really gorgeous, beautiful wilting flower.

Emily Harmon, Mezzo Soprano

It made me wonder how we should interpret whose abstract grades most inspire and provoke you to try new color grading techniques.


  • Emily Harmon Official Site – Emily’s biography, media, and upcoming tour schedule.
  • Wikipedia article on Synesthesia: There is actually a wide variety of sensory cross-overs, not just color/sound.
  • Música – 2024 film from Rudy Mancuso, who has a different kind of synesthesia where everyday sounds are turned into music in his mind.

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Chapters

  • 00:00 – Introduction to Emily Harmon and her work as a cross-over artist
  • 05:27 – Understanding synesthesia: The intersection of color and music
  • 08:00 – Emily’s personal experience of synesthesia
  • 11:15 – How Emily discovered she had synesthesia
  • 15:35 – Does it work in reverse? Do you hear sounds when you see color?
  • 16:24 – Historic color Associations in music: Major and Minor Keys
  • 17:50 – Discussing Emily’s experience of color in film
  • 19:26 – Exploring tonal variation in colors and keys
  • 20:12 – The color mix of different keys with similar pitches

Questions or Comments? Leave a comment!

Do you experience synesthesia? Or know someone who has? How does their experience of color differ from your own? I’d love to know!

– Vincent


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