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Chatting with Opera Singer Emily Harmon on how she sees color in music
The Color Timer podcast aims to explore the world of color from the vantage point of professionals who work with color.
In today’s episode, we take a slightly different angle. We explore color through the eyes of a professional who works with music. Operatic mezzo-soprano Emily Harmon shares how music affects her vision and her extraordinary relationship with color through synesthesia.
Synesthesia: a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway. – Wikipedia
I found our conversation fascinating, and it led me to question how a color grade could be shaped by the emotion of the moment, even at a subconscious level.
Emily shares the Harvard study on synesthesia she took part in. She discovered there’s quite a strong link between those who have perfect pitch, as she does, and other musicians who experience this phenomenon.
Another interesting aspect of Emily’s experience of color was that, consistently, different musical keys evoke specific color associations for her, and keys that share similar harmonics can mix together to create a unique internal color grade.
It made me wonder how we should interpret whose abstract grades most inspire and provoke you to try new color grading techniques.
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Do you experience synesthesia? Or know someone who has? How does their experience of color differ from your own? I’d love to know!
– Vincent