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Note: As an experiment, this series is being cross-posted to Mixing Light’s YouTube channel – these Insights will appear there one to two weeks after being first released into the Insights Color Library.
Learning Baselight LOOK Part 17: Using the Area Tracker
Are you nervous when shaky camera footage arrives in your colour suite? You shouldn’t be! In this insight, learn how to stabilise and fine-tune the motion of shaky shots, breaking down the manual and the automated methods of stabilisation within Baselight.
Stabilising footage doesn’t have to be tricky – there are a few tips that I’ll show you right at the start to make it easier to spot blanking issues and to see your image clearly. We’ll be using the Area Tracker and the Two Point tracker in this Insight.
The One- and Two- Point trackers will need their own Insight at some point, due to their complexity. For now, don’t worry too much about those parameters beyond what I cover here.
Key Takeaways:
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A Complete Guide to Baselight’s Base Grade Operator
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Conforming in Baselight? Start here.
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Rendering Files for Review or Delivery in Baselight
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Fixing Dead Pixels And Image Artifacts in Baselight
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Fixing Oversaturated and Out-of-Gamut Colours in Baselight
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Stabilizing Shaky Footage in Baselight LOOK
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How To Compare Grades With Clients In Baselight LOOK
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How To Manage Your Timeline For Efficient Color Grade Copying Operations In Baselight Student
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