Selected Skills
  • Color Management
  • Dailies
  • Editorial
  • Finishing/Delivery
  • On-set/DIT
What I Do
  • Commercials
  • Corporate Communication
  • Feature Documentary
  • Feature Narrative
  • Music Videos
  • Short Films
  • Trailers

Rich is an accredited colorist, award-winning editor, digital imaging technician (DIT), post-production supervisor, and video engineer. Creator of SilverBox Studios, Rich’s experience includes commercials and episodic television programs, social media to feature films, and many projects in between. He believes in giving back to the industry by teaching the fundamentals through education presentations and mentoring with many organizations including Media Professionals of Florida and Women In Film Tampa. If you were to ask Rich what it is he does for a living he would tell you, “I’m just a storyteller.”

Rich Roddman C.S.I.'s Links

IMDB

Instagram

Linkedin

View My Reel

https://vimeo.com/799637450

Tutorials by Rich Roddman C.S.I.

12 tutorials found.

An Interview With 30-Year Veteran Gaffer Rick Kalivoda

Rick Kalivoda, a 30-year gaffer and on-set veteran, talks about his craft in executing the vision of the DP and the emergence of LED lighting.

ARRI LUTs, Linux Resolve, Broadcast Safe, & Monitoring LUTs

Mixing Light's team answer: What's the correct ARRI LUT? Building a Linux Resolve system. Is Broadcast Safe obsolete? And monitoring LUTs.

Writing Legally Protective Bids & Quotes For Post Production Pros

Mixing Light's Attorney Seth Polanski Esq. shares how you can set fair legal Terms and Conditions when quoting and bidding jobs.

Evaluating Skin Tones, Working With Drone Footage, Grading On Laptops

Team Mixing Light helps our members work through confidence problems color grading skin tones, drones, and laptop displays in a live call.

The HDR Palette One Year Later & Selling Your Project Files: Good Ideas?

Team Mixing Light, in a live conference call, takes member questions on Resolve's HDR palette and the practice of handing over project files.

Office Hours Live Stream - Color Management (and much more)

This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.

Working With The ARRI Alexa Mini LF

A professional DIT shares gets us up to speed on the ARRI's large format mini camera. Plus, learn about its unique ProRes codec.

Being Flexible As A DIT: The Always Evolving DIT Cart

We all know that a good cart is essential to a DIT's kit. But what if there is no room for your cart? What options do you have when size becomes a cause for concern? Get a list of differently-sized DIT Carts for odd situations.

Which Hard Drive do you recommend for this production?

As a DIT, at some point you will be asked, "What hard drive do you recommend for our shoot?" Before you answer, ask yourself: Is your favorite hard drive the proper drive for THIS job?

DIT Essentials: Metadata, Transcoding & Verifying Your Camera Files

Get a tour of essential software a DIT uses on-set to execute the important tasks of handling (and handing-off) metadata, playback of clips and transcoding.

What Are The Key Elements Of An On-Set Color Correction Cart?

Rich Roddman C.S.I. shows how he sets up his Cart for on-set color correction... and the thinking behind his choices.Part 4 of a DIT series.

Essential Software for On-Set Data Downloading of Camera Cards

Does it matter if the director, actors or cinematographer are awesome - if the camera data is corrupt or lost? Tools for DIT happiness...