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Using Color Trace to Copy Color Grades in DaVinci Resolve - Part 1
Learn how to copy color corrections from one timeline to another timeline using Color Trace in DaVinci Resolve.
How to create a light, airy feel by dropping the midtones
Are you having trouble getting bright, happy images that aren't also feeling flat? Learn how I get around this by dropping the midtones.
Masking and Tracking in Premiere Pro CC
Learn techniques for masking and tracking in Premiere Pro CC in this color correction tutorial from a professional colorist.
Photochemical Color Timing + Cinematographers and Colorists
What is photochemical color timing? What is the role of the cinematographer while color correcting? Learn what three colorists think.
Using Dropbox for Multiple DaVinci Resolve Project Backups and Versions
How to use Dropbox for multiple backups of your DaVinci Resolve projects.
Managing A Grade – The Music Video
Grading a music video can be challenging from a time perspective. In this Insight learn about Managing A Grade for when time is tight.
Using Annotations In SpeedGrade CC
Annotations in Adobe SpeedGrade are a powerful way to make notes directly on footage while you're grading. Learn how Annotations work.
Creating a Color Wash Look (feat. DaVinci Resolve)
Learn a quick and easy method to create a 2- or 3- tone color wash over a moving image very very quickly - especially if you have a very specific color palette you want to use.
Offset Controls - Introduction To Offsets
Dan takes a look at the offset controls. The oldest and most overlooked primary controls in Resolve. Great for shot balancing.
Matching Shots While Working With Look-Up Tables
In this video we try matching shots with LUTs applied - and leanr how using the RGB parade scope helps us get the job done.
Reference Images - Matching To A Reference
Reference Images - Matching To A Reference. Have you ever had to match your footage to a famous movie or photo? Dan will show you how.
Colorist Inspiration – Jean-Clément Soret
Jean-Clément has been the most influential post production professional in London and for many years. Here is a look at his work.
Broadcast Legalization Part 5 - Hard Clipping in DaVinci Resolve
Learn how Hard Clipping in DaVinci Resolve can help you legalize your video for Broadcast. And the dangers of using it indiscriminately.
Archiving and Restoring Jobs
In Part 3 of our series on the workflow for Commercial color correction projects, we discuss how we handle archiving and restoring jobs.
Colorist Circut Training Part 2
In Colorist Circuit Training Part 2 we take a look at a sample exercise where Dan assesses his grades to find the best version.
Legalizing Video with DaVinci Resolve
Legalizing Video with DaVinci Resolve can be done in several ways. In this video we show you how to do it Shot-by-Shot.
Colorist Circuit Training Part 1
In Colorist Circuit Training Part 1 we take a look at some exercises to help strengthen your style and color grading skills.
Legalizing Video With The Harris DL860
A hardware video legalizer like the Harris DL860 does a much better job than software legalization. Learn more about how this unit works.
The Unsupervised Session: Tips For Offsite Client Review
When color grading, unsupervised sessions can be difficult. In this Insight, learn strategies and techniques to handle these types sessions.
Legalizing Video Levels in Premiere Pro CC
If you're wondering how to legalize video levels in Premiere Pro CC, this article is for you. Part of a series on legalizing video levels.
Legalizing Video in SpeedGrade CC Part 1
If you're wondering how to legalize video in Speedgrade CC, this video will show you.