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Automatic Naming Using Metadata Variables in DaVinci Resolve
Luke Ross explores DaVinci Resolve's 'Metadata Variables'. Learn how to generate still, burn-in, and render setting names - automagically.
Rendering Files for Review or Delivery in Baselight
Luke Ross wraps our 20-part introductory series on color grading with Baselight (and the free Baselight LOOK) on how to create deliverables.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Streaming Dolby Vision, REC-709a, And Consumer OLED Displays
Team Mixing Light, and members, discuss streaming Dolby Vision mp4s; Rec. 709a (what is to be done); and consumer displays for grading.
Using Compound Clips For Dolby Vision Revisions & IMF Delivery
Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.
Mailbag Live & Revisiting Why Does It Look Different On Export?
Team Mixing Light announces an upcoming new website feature & the Team revisits the issue of exports looking 'wrong'.
Moving To Baselight Fulltime
In July I started the proecess of moving to Baselight full time for my grading. As a 10 year Resolve veteran I need to let go of the past
Broadcast Promo Finishing Workflows in DaVinci Resolve
Learn how to use DaVinci Resolve to finish and output coutless versions of broadcast promos, easy fast and without any mistakes.