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Creating a custom film-emulation-based ODT
Wrapping up our series on custom color management, this is our most ambitious color management approach yet: building a custom transform by combining a film print LUT with some basic color science.
After years of working with various color management frameworks and deploying modular scene-referred looks within them, I’ve had the itch lately to develop a single-step output transform that incorporates creative and technical components. So in this Insight, we borrow the tone curve component of one of Resolve’s shipping Film Looks LUTs (Rec709 Kodak 2383 D65), and pair it with a gamut transform we’ll create within Resolve.
Key takeaways from this Insight
By the end of this Insight you should understand how to:
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