Talking Dailies Colour Grading With Colourist Fergus Hally CSI
Kali Bateman CSI interviews Australia's renowned colourist Fergus Hally CSI on colour grading and delivering dailies for major feature films.
A Conversation With Senior Colourist Vincent Taylor CSI
We're happy to introduce our newest Contributor, colorist Kali Bateman. She's relaunching our interview series. Starting with Vincent Taylor.
Understanding Professional Displays With FSI's Bram Desmet
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...
The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
Talking LGs, OLEDs, and Calibration With Portrait Display's Tyler Pruitt
In this special edition Mixing Light Podcast, Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
Hollywood Restoration and Remastering: Colorist Marc Wielage
Film restoration and remastering is a specialty in the craft of color grading. Learn how a Hollywood colorist handles its unique challenges?
From the Mac to PC for Media Pros: Answering Member Questions Part 2
If you need to buy a high-performance video post production computer today, then you're looking at a PC. Here are more answers to questions of Mac users.
Moving From A Mac to PC for Media Professionals: Member Questions
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
Building a PC Optimized for Premiere Pro and DaVinci Resolve
In Part 2, Eric Bowden of ADK Video highlights the importance of optimizing PC hardware to your specific workflows, codecs and software.
The State of the Mac Desktop (after Apple's October 2016 Presentation)
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
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