Colorist CJ Dobson shares her journey from freelancing to owning a boutique Color shop, offering unique solutions for modern post workflows.
Kali Bateman CSI interviews Australia's renowned colourist Fergus Hally CSI on colour grading and delivering dailies for major feature films.
We're happy to introduce our newest Contributor, colorist Kali Bateman. She's relaunching our interview series. Starting with Vincent Taylor.
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
In this special edition Mixing Light Podcast, Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
Film restoration and remastering is a specialty in the craft of color grading. Learn how a Hollywood colorist handles its unique challenges?
If you need to buy a high-performance video post production computer today, then you're looking at a PC. Here are more answers to questions of Mac users.
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
In Part 2, Eric Bowden of ADK Video highlights the importance of optimizing PC hardware to your specific workflows, codecs and software.
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
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