Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
FCPX 10.4 update introduces some long-awaited color correction features, like wheels and curves. This Insight reviews the standout points of this new color correction toolset - and gotcha's you should understand.
White balancing is a basic color correction task. And Temp or Tint controls are often a time-saving shortcut. But they don't always work. Learn why?
When you start delving into the finer points of color correction you'll eventually learn about Gamma 2.2 vs Gamma 2.4. Learn how to choose between them.
Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.
If you move your timeline from one bit of post-production software to another then you need to know the 'Golden Rule of Conforming'.
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
Take a close look at the unique (and intuitive) HSL Keyer in Red Giant's Colorista III color correction plug-in.
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?
Watch an overview of how a professional colorist uses Magic Bullet Looks 3 to jump-start the 'look creation' process.
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.
A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.
Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).
A tutorial and overview of using Colorista III in Final Cut Pro X. Learn how all it's tools work and why you might want to buy and use it.
This is a video overview and breakdown of the FCP X color correction plug-in 'Color Finale'
How to use shape masks when creating Looks in FCP X with the 10.2 update.
After shot matching comes Look creation. This is Part 1 on how to create Looks in FCP X 10.2 without using 3rd party plug-ins.
Do you have trouble with shot matching while color correcting video? This tutorial will show you a reproducible workflow for any software.
Shot matching is one of the most difficult color correction techniques. Learn a workflow for consistently matching shots in Final Cut Pro X.