How To Professionally Work Between Multiple Editing Platforms
Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Using Denoiser III On Challenging Footage (Compared to Neat Video)
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
Evaluating And Exploring The New Color Tools in FCPX 10.4
FCPX 10.4 update introduces some long-awaited color correction features, like wheels and curves. This Insight reviews the standout points of this new color correction toolset - and gotcha's you should understand.
When do you reach for Temp or Tint controls to White Balance shots?
White balancing is a basic color correction task. And Temp or Tint controls are often a time-saving shortcut. But they don't always work. Learn why?
How do you choose Gamma 2.2 vs Gamma 2.4 when color correcting?
When you start delving into the finer points of color correction you'll eventually learn about Gamma 2.2 vs Gamma 2.4. Learn how to choose between them.
DaVinci Resolve 14: The Mythical Collaborative Workflow Has Arrived
Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.
What is the Golden Rule of Conforming Timelines?
If you move your timeline from one bit of post-production software to another then you need to know the 'Golden Rule of Conforming'.
The State of the Mac Desktop (after Apple's October 2016 Presentation)
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
First Look: Using Color Finale Pro and the Tangent Ripple in FCPx
First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
Exploring the Colorista III HSL Keyer in Final Cut Pro X
Take a close look at the unique (and intuitive) HSL Keyer in Red Giant's Colorista III color correction plug-in.
Neat Video 4 - Revisiting The Popular Noise Reduction Plugin
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
How to Select A Color Correction Plug-in for FCPX
Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?
Magic Bullet Looks 3 - An Overview
Watch an overview of how a professional colorist uses Magic Bullet Looks 3 to jump-start the 'look creation' process.
Overview of the Koji Advance Film Emulation Plug-In
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
An Overview: Nattress Levels and Curves for FCPX
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.
A Review of the Hawaiki Color and Analyzer for FCPX
A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.
Using Colorista III in FCPX - Part 2
Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).
Tutorial: An Overview of Colorista III in Final Cut Pro X
A tutorial and overview of using Colorista III in Final Cut Pro X. Learn how all it's tools work and why you might want to buy and use it.
An Overview of the 'Color Finale' FCP X Plug-In
This is a video overview and breakdown of the FCP X color correction plug-in 'Color Finale'
Creating Looks In FCP X: Part 2
How to use shape masks when creating Looks in FCP X with the 10.2 update.
Creating Looks in Final Cut Pro X: Part 1
After shot matching comes Look creation. This is Part 1 on how to create Looks in FCP X 10.2 without using 3rd party plug-ins.
Patrick's Shot Matching Workflow
Do you have trouble with shot matching while color correcting video? This tutorial will show you a reproducible workflow for any software.
Matching Shots in Final Cut Pro X - Redux
Shot matching is one of the most difficult color correction techniques. Learn a workflow for consistently matching shots in Final Cut Pro X.
Final Cut Pro X - Color Balance Precision
Do you find it difficult to make precise Final Cut Pro X color balance decisions? This video tutorial will give you ideas for fixing that.