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A Simple Hack for Group Color Grading in Adobe Premiere Pro
Learn a 'quick hack' to speed up your color grading workflow in Premiere (or Final Cut) by emulating DaVinci Resolve's 'groups' feature.
Switching from Avid Media Composer to DaVinci Resolve Part 1
Land the switch from Avid Media Composer to DaVinci Resolve by understanding how key project settings relate to each other.
How To Professionally Work Between Multiple Editing Platforms
Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Digging Deeper Into Fusion Connect for Avid - Workflows and Gotcha's
In Part 2, Arthur Ditner digs into various workflows helping you sidestep a few issues while thinking through color management.
Investigating Fusion Connect for Avid Media Composer - Does It Work?
Welcome Arthur Ditner as a new Mixing Light Contributor! Learn about Fusion Connect with Avid Media Composer - its strengths and limitations.
Revisiting the Versatile RGB Mixer (in DaVinci Resolve)
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
From The Grading Suite: From Short Form To Reality
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.