The 2018 Mac Mini - Perfect Color Suite Companion?

In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.

An Introduction to Resolve Fusion's 3D Camera - Part 1

Learn how to get your Resolve Fusion composition into 3D space. Also, learn how false perspective is created and 3D cameras are animated.

Behind The Curtain - 16mm Film Emulation

In this Insight, Dan shares his approach to creating a classic 16mm Film Emulation that he used on a recent music video.

An Overview of PreRollPost - LTO Backup Software for Video Pros

How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?

An Introduction to Compositing in DaVinci Resolve Fusion

Using a simple green screen from a low quality source, learn the power of Resolve's Fusion. Learn Boolean, Merge, and MatteControl nodes.

Behind The Curtain - 80s Release Print Dirt & Texture

Finding the right balance of noticable and realistic is always a challenge. Dan shares behind the curtain on a film release print style grade.

Using Python and Expanding DaVinci Resolve's Functionality

Resolve's new scripting APIs open up exciting new possibilities. Learn how to get started by using Python to import comments from Frame.io.

Is It Your Responsibility to Archive a Project?

In this installment of From The Mailbag, Team Mixing Light discusses if it's a colorists' responsibility to archive media and project files.

Color Correcting With Blending Modes -Recovering Highlights With Multiply

Dan shares his technique of using the multiply blending mode to recover highlights easily and naturally via a layer node.

Advice For Dan’s (Or Anyone’s) Color Correction Business

Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.

Creating A Western Look Using Color Space Transform & Emulation LUT

While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.

Colorist Inspiration - UK Music Video Awards 2018

Dan shares his thoughts on the UKMVA Nominations 2018 for best grading. This year he was also part of the judging panel.

Getting To Know Dolby Vision Part 3: Dolby Vision For Everyone!

In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.

Grading Challenge - 90s Video Review

Dan shares his 90s video review and his attempt at going bold, bright soft and crushed in this grading challenge.

Understanding The Future Of Post Production and Color Grading: Part 2

The 5 'pillars' of the digital video revolution evolve at a different paces - but are driven by the same force. We covers two more pillars.

Graphics & Text In Dobly Vision HDR Project

In this installment of From The Mailbag, we're once again joined by Joey D'Anna to discuss graphics and text in Dobly Vision HDR projects.

Before The Grade: 5 Pre-Grade Tips To Improve Session Speed

In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.

Understanding The Future Of Post Production and Color Grading: Part 1

Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?

Color Grading HDR For The First Time - In A Live Competition!

Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.

Color Grading Challenge: Recreating the 90s Pop Video Look

Dan kicks off a new grading challenge where he plays your client. It's based on a 90s pop video style color grade he recently recreated.

Adapting Photoshop's 'Channel Masks' to DaVinci Resolve, Part 2

Are you trying to do Photoshop's Channel or Luminosity Mask techniques in DaVinci Resolve? Learn how, by simplifying the workflow.