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Accurately Viewing Fusion Compositions in ACES Workflows

Images in Fusion can look different to the Edit and Color pages when color management systems clash. Here's how to fix that in ACES workflows

Kali Bateman and Emily Reid: A Partnership in Colour

Discover Senior Colorist Kali Bateman's dynamic partnership with her former Assistant, Emily Reid, on this The Color Timer Podcast episode.

Alpha Channel Manipulations 101 - Fusion Page Fundamentals

Learn the fundamentals of alpha channel manipulations, including tonal adjustments, blurs, and combining masks from VFX artist Bernd Klimm.

A Complete Guide to Baselight's Base Grade Operator

Luke Ross helps you master every Base Grade operator control in Baselight - and challenges Resolve users to figure out equivalent operations.

How to Export the Highest Quality YouTube Videos

Learn how to set up DaVinci Resolve's color management when delivering to YouTube and modify the default preset for better quality.

Filmmaker Michael Henry - Being color blind in a visual industry

The Color Timer learns to turn a limited visual color palette into creative strength with professional insights from a color-blind filmmaker.

Animating Fusion Titles - Polishing Your Shared Title Templates

In Part 3, VFX artist Bernd Klimm customizes a shareable animated Fusion title template with expression modifiers, user controls, and macros!

Film Print Emulation: Dehancer Pro v7 Review - Part 2

In our Dehancer Pro v7 Part 2 review, colorist Peder Morgenthaler digs into its 'dehancing' tools: Grain, Halation, Bloom, Weave, and more.

How To Actively Manage Your Post Production Career

Mixing Light contributors answer questions on practical ways to handle career choices, find enjoyable work and take side steps to get ahead.

Fusion Monitoring: Accurately Monitoring DaVinci Wide Gamut

Does saturation on Resolve's Fusion look wrong when working color-managed? Colorist Daria Fissoun breaks it down and offers three fixes.

15 minutes with Color Scientist Matthew Tomlinson

The Color Timer podcast discovers what a color scientist actually does, why they are a colorist's best friend and how to shepherd a show look.

Using Resolve 18.5 Transcription & Subtitle Tools

Colorist and finisher Jason Bowdach teaches you to use DaVinci Resolve 18.5's new Machine Learning-powered transcription and subtitle tools.

Conforming in Baselight? Start here.

Learn the Conform tool in Baselight. Luke Ross solves importing a problematic EDL and eye-matching reference clip using two play heads.

Office Hours LIVE! HDR White, Saturation Controls, New Displays

Mixing Light's professional colorists answer questions on graphic white points in HDR, crafting meaty saturation and the limitations of AI.

Film Print Emulation: Dehancer Pro v7 Review - Part 1

Colorist Peder Morgenthaler reviews the popular Dehancer Pro OFX plugin for DaVinci Resolve for creating detailed filmic looks.

15 Minutes with Tattoo Artist Jhon Gutti - The Color Timer Podcast

What does an award-winning tattoo artist have to say about color? Special guest Jhon Gutti talks about shades of gray in his craft and art.

Fusion-Photoshop Painting/Cleaning Workflow – Part 2

VFX artist Bernd Klimm continues his Photoshop to Fusion workflow with tips and tricks for removing an object using painting techniques.

Office Hours LIVE! Color pipelines, Gamma & Remote Live-Review

Our Contributors answer tough member questions on color management issues, mastering gamma, and affordable remote live review solutions.

From Freelancer to Facility Owner with Colorist CJ Dobson, CSI

Colorist CJ Dobson shares her journey from freelancing to owning a boutique Color shop, offering unique solutions for modern post workflows.

Using The ResolveFX Relight Plugin With The Fusion Page

Learn to accelerate the Relight ResolveFX by feeding normals maps from CG renders, making it a powerhouse effect for VFX and CGI workflows.

15 Minutes With Legendary Colorist Peter Doyle

The Color Timer Podcast speaks with legendary colorist Peter Doyle on the nature of color, metameric failure, and the 'why' of every grade.

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