Drone footage adds tons of production value to projects. But the cameras often suffer from over-sharpening. Get tips for fixing this problem.
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
Do all saturation controls behave similarly? Or are there subtle differences that add new arrows in your quiver of saturation controls?
In this installment of From The Mailbag, we discuss a member question about how to gain efficiency grading 1500+ shot timelines.
Dan shares the opening part to his full unfiltered look at how he graded a music video in a 16mm film style.
In this From The Mailbag, our team answers a member question about how to handle periods of not feeling creative in the color suite.
Dan shares his thoughts on trying to clean up his grades in 2019 and moving away from his favourite film emulation techniques.
Learn how to animate unrelated properties using Expressions. In Part 2, we use the Camera's Z-position to drive another element's Opacity.
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
Learn how to get your Resolve Fusion composition into 3D space. Also, learn how false perspective is created and 3D cameras are animated.
In this Insight, Dan shares his approach to creating a classic 16mm Film Emulation that he used on a recent music video.
How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?
Using a simple green screen from a low quality source, learn the power of Resolve's Fusion. Learn Boolean, Merge, and MatteControl nodes.
Finding the right balance of noticable and realistic is always a challenge. Dan shares behind the curtain on a film release print style grade.
Resolve's new scripting APIs open up exciting new possibilities. Learn how to get started by using Python to import comments from Frame.io.
In this installment of From The Mailbag, Team Mixing Light discusses if it's a colorists' responsibility to archive media and project files.
Dan shares his technique of using the multiply blending mode to recover highlights easily and naturally via a layer node.
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.
Dan shares his thoughts on the UKMVA Nominations 2018 for best grading. This year he was also part of the judging panel.