A successful commercials colorist color grades dailies. He shares his challenges, mistakes, and how it's different than commercials.
Dan shares the reasoning behind his new showreel and also gives some tips on when and where to share it for maximum views
Creativity makes us human. What is the place of AI in this area? If computers become too human, will we become just machines?
In Part 1 you learned how to build a Fixed Node Structure in Resolve's node tree when color grading. Now learn its huge time-saving benefits.
Create a clean plate to remove an item using Fusion's Clone Brush. Then mask an area, replace it, and track the replacement onto the shot.
Dan shares his story from a recent "not so near-set grade" for an upcoming collaboration with friends on a short film.
In this installment of From The Mailbag, we take a look at trends and thoughts about 2018 and discuss what 2019 will hold for colorists.
My list of key software utilities for post production professionals may help you a solve annoying (or critical) problems. For Mac & Windows.
Lumetri color correction in Premiere Pro 2019 has changed dramatically: What is new? Is it improved? And how useful is it?
Learn how to deconstruct a pre-built Fusion animation that ships with DaVinci Resolve. After studying one, we revise our animation to match.
Building out node trees on the DaVinci Resolve Color page can be a messy affair. And haphazard. Learn how to develop a personalized node tree.
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Dan is back in part three of his unfiltered look at a recent grade. In this part we take a look at matching the externals in this 16mm style
These 'don't miss' color grading related articles and videos are culled from 2018's 4th quarter of the weekly curated Tao Colorist Newsletter.
In this installment of From The Mailbag we discuss a member question about if HDR is here to stay and should one be investing in HDR tech.
Dan picks up where he left off in this series on real time grading a music video. In part 2 we look at the noisy internal scene.
DaVinci Resolve's Fusion page is intimidating. In this video, learn an easy way of getting into Fusion, with a simple Text animation.
Drone footage adds tons of production value to projects. But the cameras often suffer from over-sharpening. Get tips for fixing this problem.
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
Do all saturation controls behave similarly? Or are there subtle differences that add new arrows in your quiver of saturation controls?