Recreating the Kong: Skull Island ‘Toxic Yellow’ Look

Exercise your grading skills by matching Kong: Skull Island's 'Toxic Yellow' look in DaVinci Resolve. Luke Ross shares his approach.

Creative Look Inspiration - Wes Anderson's 'Asteroid City'

Build a low-contrast, targeted saturation look inspired by Wes Anderson’s 'Asteroid City', by learning how to evaluate the production stills.

Color Correction Breakdown: Solving Problems

In color correction we're solving problems. Sometimes they're handed to us, sometimes they're problems we created. See examples of both.

Creating a 'Film Look' and Managing Film Grain

Breaking down the color correction for a 'webisode' and creating a 'Film Look'. Plus, ideas for managing film grain.

Anatomy Of A Commercial Color Grade

The question of how to commercials look so good crops up constantly. Dan shares the in and outs of a grading session to show you how

Grade Breakdown - Challenge Your Imagination

In this insight Dan shares a Grade Breakdown on a recent commercial to challenge you to use your eyes to notice all his grades

Photochemical Grading - Part Two

In part two of this series Dan dives into Resolve and tries out the methods first hand. Enjoying the restrictions and relief of grading.

Photochemical Grading - Part One

Have you ever wondered why Christopher Nolan uses color timing instead of a DI for his grades? We take a look at the color timing world

Color Correction Breakdown - Spanning the Ages

Commercial Breakdown - Rolo. Dan shares another instalment of his series of behind the scenes insights. We build looks for different eras.

Commercial Breakdown - Smirnoff

Dan takes a look at his latest commercial grade and shares the thinking and techniques behind the grades.

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