Recreating the Kong: Skull Island ‘Toxic Yellow’ Look
Exercise your grading skills by matching Kong: Skull Island's 'Toxic Yellow' look in DaVinci Resolve. Luke Ross shares his approach.
Creative Look Inspiration - Wes Anderson's 'Asteroid City'
Build a low-contrast, targeted saturation look inspired by Wes Anderson’s 'Asteroid City', by learning how to evaluate the production stills.
Color Correction Breakdown: Solving Problems
In color correction we're solving problems. Sometimes they're handed to us, sometimes they're problems we created. See examples of both.
Creating a 'Film Look' and Managing Film Grain
Breaking down the color correction for a 'webisode' and creating a 'Film Look'. Plus, ideas for managing film grain.
Anatomy Of A Commercial Color Grade
The question of how to commercials look so good crops up constantly. Dan shares the in and outs of a grading session to show you how
Grade Breakdown - Challenge Your Imagination
In this insight Dan shares a Grade Breakdown on a recent commercial to challenge you to use your eyes to notice all his grades
Photochemical Grading - Part Two
In part two of this series Dan dives into Resolve and tries out the methods first hand. Enjoying the restrictions and relief of grading.
Photochemical Grading - Part One
Have you ever wondered why Christopher Nolan uses color timing instead of a DI for his grades? We take a look at the color timing world
Color Correction Breakdown - Spanning the Ages
Commercial Breakdown - Rolo. Dan shares another instalment of his series of behind the scenes insights. We build looks for different eras.
Commercial Breakdown - Smirnoff
Dan takes a look at his latest commercial grade and shares the thinking and techniques behind the grades.
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