Build a low-contrast, targeted saturation look inspired by Wes Anderson’s 'Asteroid City', by learning how to evaluate the production stills.
In color correction we're solving problems. Sometimes they're handed to us, sometimes they're problems we created. See examples of both.
Breaking down the color correction for a 'webisode' and creating a 'Film Look'. Plus, ideas for managing film grain.
The question of how to commercials look so good crops up constantly. Dan shares the in and outs of a grading session to show you how
In this insight Dan shares a Grade Breakdown on a recent commercial to challenge you to use your eyes to notice all his grades
In part two of this series Dan dives into Resolve and tries out the methods first hand. Enjoying the restrictions and relief of grading.
Have you ever wondered why Christopher Nolan uses color timing instead of a DI for his grades? We take a look at the color timing world
Commercial Breakdown - Rolo. Dan shares another instalment of his series of behind the scenes insights. We build looks for different eras.
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