Finding Opportunities when Color Correcting

Finding Opportunities when Color Correcting

October 28, 2015
Patrick Inhofer C.S.I.

How do you stay creative when you're not feeling creative? Learn how one professional is always finding opportunities when color correcting.


Finding Opportunities When Color Correcting

Scarlett’s Revenge Part 3: Sources for Inspiration

What does it mean: “Finding Opportunities When Color Correcting”?

The challenge for all of us is the need to be ‘constantly creative’. As a professional colorist or editor, we have a continuous flow of clients and each client expects we’ll be our best creative self. Not only do they expect it, that’s our promise to them.

But how do you stay ‘constantly creative’ – every day for every client?

You develop habits. You learn to identify patterns. Those habits and patterns become shortcuts to creativity.

For instance, as I show in this Insight, when I’m grading, a little piece of my brain is always on the lookout for strong separation between highlights and shadows. Sometimes I can see it visually or sometimes it’s the Waveform that shows me this separation, the important thing is:

I’ve tuned my brain to recognize specific patterns that indicate, ‘This is an Opportunity’

Strong separation between highlights and shadows—with a large gap in-between—gives me several potentially creative ideas:

  • Enhance or create a silhouette
  • Pull a Luma key > perform a correction > then work the invert of that key > perform a correction in a different direction
  • Glows, anyone?
  • Lens flares: If the strong separation between highlights and shadows is from a strong key light that’s viewable in-picture (or just outside the frame of the image), then opportunities arise to use lens flares

Notice how one pattern, shadows / highlights separation, gives rise to multiple Opportunities when color correcting

We can pick just one of the Opportunities I outlined, or mix and match them. In this Insight, you’ll see I’ve taken this type of Opportunity and mixed and matched to get to a an image I found compelling and interesting. But Opportunities don’t only come from the image in front of you.

Look for Opportunities anywhere in your color grading session

It can be a word your client casually drops. Or maybe, an idea from the editor. This Insight also shares how I found an Opportunity by looking at the Editor’s original idea. I wasn’t able to execute his specific idea, but riffed on it—building on his idea in a collaborative method.

Finding Opportunities is all about creating a system for being ‘constantly creative’

Your best ideas can usually be replicated across many different jobs and many different clients. But don’t fall into the trap of doing the same things over and over again. You need to take these common Opportunities and mix and match your solutions. Vary them and re-combine them in new and different ways.

You’ll find that it’s actually quite rewarding to think and work this way. You don’t need to always be ‘On’ for your clients to feel like they’ve gotten 100% out of you. Even on a bad day, you’ll be able to come up with ideas that add a ton of value to your projects—on-demand and without fail.

This Video Insight shares how I took two ‘patterns’ and found Opportunies

It’s the conclusion of my series on color grading the Scarlett’s Revenge theme park attraction. It’s also a summation of this series. Bringing together the concepts of Motivated Keyframes and Show Me Something under the banner of Finding Opportunities when color correcting. I hope you enjoyed it!

-pat

Finding Opportunities when Color Correcting

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