Tracking Power Windows is something we do day in, day out in our color correction sessions. So I thought it was a good idea to share my tips and insights on this subject. On DaVinci Resolve I have honestly not keyframed a window manually using the keyframe editor in a long long time. In this video, you learn how I track foregrounds, backgrounds plus copying and pasting tracks and then how to deal with objects moving behind other objects while tracking.
Hopefully, you guys find it useful!
– Dan
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What do you normally do if you arent moving keyframes to the grade on that tug car, in this scenario, if you dont use keyframes? Also, I occasionally run into situations where the tracker cant lock a good “track” for more than a few frames on items like sunglasses, car parts, or other reflective surface. How do you best handle those cases? Thought of keyframes but keyframing too close causes unnatural jitter, yet far away and they aren’t accurate enough. Would love to know how other handle this type of situation, especially when in tight timelines. Many thanks!!