Is the Future of Post-Production to be Feared – or an Opportunity?

February 12, 2026

The Team discusses AI tools, evolving entry-level careers, immersive content growth, and thriving in our industry's pivoting landscape.


Series

Team Mixing Light: AI, custom tools, entry-level career shifts, and the rise of immersive content

What does the future of post-production actually look like?

It’s the question on every working professional’s mind heading into 2026 – and the answers might surprise you. In this January 2026 edition of Office Hours, contributors Katie Hinsen, Jason Bowdach, Zeb Chadfield, and Peder Morgenthaler join the conversation to share where they see the industry heading. Rather than doom and gloom, what emerges is a picture of creative professionals adapting, building new tools, and finding opportunity in unexpected places.


“Every time [entry level jobs] have gone away, you get on the ladder somewhere closer to where you want to be creatively… These tools now [are] displacing some of the [tedious] work that we would often make people do, to do their time. Well, now they can actually start closer to the creative.”

Katie Hinsen, Consultant, Futurist
Our January Office Hours focused heavily on the changing job market, with an emphasis on how to spot opportunities an career growth.
Our January Office Hours focused heavily on the changing job market, with an emphasis on how to spot opportunities and career growth.

But first, three pieces of Mixing Light news.

Water Cooler Sessions – Mixing Light is launching informal, unrecorded, unscripted drop-in hangouts for Mixing Light Premium members. A few times a month, you’ll get an email with 30 minutes’ notice, and if you can make it, you show up and chat about whatever’s on your mind – what you’re watching, a crazy client story, or just a coffee break with colleagues.

Daria Fissoun’s Live Workshop – Daria is developing a four-day live workshop exploring the etymology of color grading terms – tracing lift, gamma, gain, vignettes, and qualifiers back to their origins in film chemistry, optics, and 19th-century white papers. It’s aimed at both newcomers wanting deeper confidence with their tools and established colorists curious about the history behind them.

Jason Bowdach’s Working Colorists Cohort – Jason is launching The Working Colorists, a small-cohort business coaching program (just 15 participants) focused entirely on the business skills colorists rarely get taught – client acquisition, specialization strategy, and career direction. A few spots will be reserved for Mixing Light members.


Key Takeaways

  • LLMs are enabling colorists to build custom internal tools in hours rather than months – from metadata burn-ins to bandwidth management scripts.
  • Entry-level post-production jobs aren’t disappearing; they’re being redefined to start closer to the creative work.
  • Specialization in emerging areas like immersive content and VR workflows can set you apart from the competition.
  • Audiences are rejecting AI-generated content on social platforms, while cinema attendance and premium content remain strong.
  • The post-house model is evolving toward leaner operations, with freelance colorists filling the creative seats.
  • Learning communities and mentorship are replacing the old “start in the mailroom” career path.

Related Mixing Light Insights


Mentioned Resources

  • FTrack – VFX project management platform
  • LucidLink – Cloud storage for collaborative post-production workflows
  • Gemini – Google’s LLM, used by Peder for scripting Resolve-to-FTrack pipelines
  • Abel Cine Class Schedule – LA- and NY-based hands-on seminars, including AI and immersive production
  • The Sphere, Las Vegas – Premium immersive entertainment venue

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