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Using Compound Clips For Dolby Vision Revisions & IMF Delivery

Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.

An Introduction To Versioning Efficiently Using Compound Timelines

Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.

Joey’s Custom Workshop - Two Useful Scripts And A Fusion Effect

Colorist Joey D’Anna shares with you new custom tools for batch rendering, automatic backups, and a 3D motion control template.

Learning Baselight Student – Conforming with the Scene Detect Tool

Luke Ross shows you how to add edits into a single video file, breaking it into individual shots for easy color grading in Baselight Student.

Dolby Vision - Custom ACES SDR to HDR Part 4 - Deliverables And QC

In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.

Custom ACES SDR to HDR Part 3 - Dolby Vision Trims

Learn how to use the original SDR color grade as a reference for a new SDR Dolby Vision trim from an HDR re-master (gulp!)!

SDR To HDR - Working With Graphics In Node-Level Color Management

In part two of his series, Colorist Joey D'Anna shows you how to color manage graphics when trimming a project from SDR up to HDR.

Coloring Reality: How To Color Grade 1700 Shots In Two Days

Coloring Reality TV can be a huge undertaking. However, if you organize and prepare, you'll deliver a high-quality show on time.

Can You Use Project-Level Color Management With 'Flat File' Workflows?

Learn how to tag a single clip with multiple 'input color spaces' in DaVinci Resolve when executing a 'flat file'/preconformed workflow.

Match Move ResolveFX: A Color Page Multitool

In this Insight, Joey D'Anna shows you how to use the DaVinci Resolve Match Move ResolveFX plugin for powerful tracking, stabilization, and paintwork

Computer-Assisted Shot Matching with Colourlab AI - Part 1

In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.

Good Grades: Color Grading at NFL Films with Chris Pepperman

In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.

Good Grades: Documentary Masterclass with Evan Anthony

In this installment of Good Grades we sit down with renowned documentary colorist Evan Anthony and talk about his start, work and more!

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