In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.
Learn how to use the original SDR color grade as a reference for a new SDR Dolby Vision trim from an HDR re-master (gulp!)!
In part two of his series, Colorist Joey D'Anna shows you how to color manage graphics when trimming a project from SDR up to HDR.
Coloring Reality TV can be a huge undertaking. However, if you organize and prepare, you'll deliver a high-quality show on time.
Learn how to tag a single clip with multiple 'input color spaces' in DaVinci Resolve when executing a 'flat file'/preconformed workflow.
In this Insight, Joey D'Anna shows you how to use the DaVinci Resolve Match Move ResolveFX plugin for powerful tracking, stabilization, and paintwork
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.