Is AI Making Power Windows Obsolete? Pat’s Hot Take On Magic Mask 2

June 27, 2025

Colorist Patrick Inhofer tests Resolve 19's Magic Mask against Resolve 20's AI Magic Mask 2, deciding if he'll use it on future grading jobs.


Can Magic Mask 2 take the heavy lifting performed by Power Windows?

It’s undeniable that digital video post production tools are undergoing a revolution powered by advances in machine learning. In the language of Blackmagic Design, these tools are tagged as the DaVinci Neural Engine. Most of them are either Studio-only tools or tools available in the Free version but have Neural Engine options for the paid version of Resolve. If you’re interested in a summary of those tools (and when they were introduced), reveal the accordion below.

This Insight focuses on Magic Mask 2 and was inspired by a job I graded earlier this year.

DaVinci Resolve 17 Studio:

  • Shot Match – Redesigned with the Neural Engine, it still feels to me like a hit-or-miss tool
  • Deinterlacing
  • Smart Reframe
  • Timeline Scene Cut Detection
  • Speed Warp Motion Estimation
  • Face Detection
  • Magic Mask

DaVinci Resolve Studio 18.6:

  • Enhanced Super Scale

DaVinci Resolve Studio 19:

  • Intellitrack Point Tracker
  • UltraNR Noise Reduction for Spatial Denoising
  • Detect Speakers for Text-Based Editing Workflows
  • Face Refinement ResolveFX

DaVinci Resolve Studio 20:

  • AI Super Scale 3x 4x Enhanced
  • Smooth Cut with AI Speed Warp
  • Multicam SmartSwitch for Automatic Angle Switching
  • AI Depth Map v2
  • Magic Mask 2

Grading a day-for-nightish interior wide shot

I was hired to grade two scenes for a director/producer raising funds for a feature film. Both scenes are interiors, and the time of day is twilight.

Despite the unintended challenges typical of this type of limited-budget project, we were able to give both scenes an early evening feel. But there was one shot – a wide angle – that I was unhappy with. As you’ll see in this video Insight, I initially achieved the look using Inside/Outside Power Windows.

Ideally, Magic Mask would have been the better tool for this shot. But it was too ‘twitchy,’ and I couldn’t get it to work.

This Insight will look at how Magic Mask worked in Resolve 19, using the wide shot as my test. Then, we’ll try again using Magic Mask 2 in Resolve 20 – and I’ll share my results and my ‘Hot Take’ conclusion.

Key takeaways from this Insight

By the end of this Insight:

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