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Color Warper 101 Part 2: Managing Points & Pins + Chroma-Luma Panel

In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.

Review - Controlling The HDR Palette With The Resolve Mini Panel

How does the DaVinci Resolve Mini control surface manage to control 7+ color wheels in the HDR Palette, with only 3 physical trackballs?

Look Development Part 2: Dialing In The Contrast Curve

In Part 2 of his series, Cullen Kelly takes a look at dialing in the contrast curve for a look with the new HDR Zone tool in Davinci Resolve 17.

How To Set Up and Deliver Dolby ATMOS in Resolve 17

In this Insight, learn how to setup, monitor, edit and deliver Dolby Atmos immersive audio in DaVinci Resolve 17

Resolve 17 Color Management Tips and Pat's Fixed Node Tree

Learn how to set up Resolve Color Management for success. You'll also see a colorist's node tree, designed for RCM & the HDR Palette.

Color Warper 101 Part 1: Concepts and Interface Fundamentals

The new Color Warper in DaVinci Resolve 17 is very powerful, very accurate, but a bit complicated. In Part 1, learn this tool's fundamentals.

HDR Palette 101 - Resolve Color Management 2.0 + Contrast Controls

In Part 3 of this series, learn how the color grading controls work differently with RCM 2 enabled. Plus, contrast control in the HDR Palette.

HDR Palette - Using Multiple Zones, Contrast, Presets, Global Control

In Part 2 of this series, we dig deeper into the HDR Palette and continue exploring its differences from the traditional Primaries Palette.

Resolve 17 Big Little Features Part 2 – The Edit Page

Small features can make a huge difference to your workflow! Learn new edit page features to speed up and improve your workflow in Resolve 17.

How Do Zones Work in Resolve 17's New HDR Palette?

The HDR Palette represents a major advance in Resolve 17's color grading toolset. Learn about it's core concept, Zones, and how they work.

Resolve 17: Big Little Features Part 1 - The Color Page

Sometimes, it's the small features making a huge difference! Learn new color page tools to speed up and improve your workflow in Resolve 17.

A Mixing Light Special Report: Resolve 17 Announcement

Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.

Resolve 17: First Impressions And Favorite Features

Resolve 17 Public Beta is here and it is a huge release! Colorist Joey D'Anna points you to his favorite new features, updates, improvements.

Node Tree Compositing: Building A Green Screen Shot In One Node Tree

In this Insight, Joey D'Anna shows you how he uses the DaVinci Resolve color page node tree to build great looking green screen composites.

Working With Reference Images Part 3: Building The Look

Cullen shows how to put the analysis of reference images + analysis of shots on the timeline together to create a cohesive, matching look.

Nodes 101 – Mastering DaVinci Resolve’s Serial Node

Do the nodes in DaVinci Resolve's Color Page confuse you? In Part 1, learn how to think about using nodes with this intro to the Serial Node.

Combining Group Grades With Shared Nodes While Avoiding The Pitfalls

In Part 2 of this advanced workflow series, learn how you can use Shared Nodes inside Group Grades for quick & easy revisions down the road.

Using Playheads - Working Faster In DaVinci Resolve's Color Page

Learn how to accelerate your color grading in DaVinci Resolve's Color Page by using multiple Playheads to quickly navigate the timeline.

Combining Shared Nodes and Group Grades in DaVinci Resolve

Applying the one color grade to multiple shots is easier with Resolve's Groups or with Shared nodes. Learn how to combine the two approaches.

Creating And Modifying Speed Effects in Davinci Resolve

Learn how to fix frame rate problems and create both constant- and variable-rate speed effects (and image processing options they enable).

Working With Reference Images: Evaluating Camera Source Footage

In Part 2 learn how you can evaluate the source footage on your timeline to answer: Is this footage a good match for our references?

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