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Choose Wisely - Exposure in Resolve: RAW, Offset, HDR Global?
Learn how to choose RAW, HDR Global, or Primary Offset wheels when adjusting exposure in DaVinci Resolve for photometrically accurate results.
Using DaVinci Resolve’s Master Timeline for Efficient Color Grading
Learn to use Resolve's Master Timeline as a productivity hack for consistent color grades & quick renders with multiple deliverables.
Accelerate: Editing Multicam Interviews in Premiere & Resolve
Speed up your multicam interview edits with pro tips and tricks. Use the new SmartSwitch in DaVinci Resolve 20 to accelerate multicam edits.
Mystery Log Part 3: Back To Basics (with a dash of modern)
Learn to use lift, gamma, and gain controls when color-managed workflows fail. It's a decades-old technique, with spice for modern artists.
Understanding and Using The JPLog2 Color Space
JPLog2 is a powerful working color space for pro colorists. Dado Valentic unpacks why it will impact the future of grading.
Working Life as an Independent Freelance Film Colorist
Kali Bateman, CSI, shares what it's really like to be a freelance colorist who works from a custom-built grading suite but also on the road.
Is AI Making Power Windows Obsolete? A Look At Magic Mask 2
Colorist Patrick Inhofer tests Resolve 19's Magic Mask against Resolve 20's AI Magic Mask 2, deciding if he'll use it on future grading jobs.
Effortlessly Animate Layered Photoshop Files in DaVinci Resolve
With these effective techniques, quickly build motion graphics animations from layered Photoshop files in the DaVinci Resolve Edit page.
PC Hardware for Creative Pros - Conversation with Puget Systems
What specification should you use to build a custom PC that can handle demanding color grading workflows? Puget Systems has the answer...
Building a Professional Custom Color Grading Suite from Scratch
What do you need to build a professional color grading suite from scratch? Post Professional Sam Lowe shares his in-depth design secrets.
Mystery Log: A Survival Guide Part 2 - Cineon Film Log
Learn to use Resolve's color transform node, offset adjustments, and HDR tools to grade footage lacking recording metadata with simplicity.
Office Hours LIVE – NAB 2025's Biggest News & Takeaways
Mixing Light Contributors share their professional perspectives on NAB 2025, the show's future, the best updates, and the impact of AI.
Jason Bowdach's Favorite Features in DaVinci Resolve 20
Colorist Jason Bowdach walks you through his six favorite new features in Resolve 20, plus a few less obvious favorites from this release.
Frequency Separation Using The 'Contrast Pop' ResolveFX
Using the 'Contrast Pop' ResolveFX plugin, learn about frequency separation in Part 5 of Hector Berrebi's 'Texture Management' series.
Mystery LOG: A Survival Guide Part 1
In his first Insight, Billy Causey tackles the challenge of color grading 'mystery log' footage, which lacks metadata about its origin.
The Art of Color Grading Animation with Keiran Lee
Supervising Colorist Keiran Lee reveals insights on the technical and creative differences in grading feature animations and VFX-heavy films.
Delivering 608 & 708 Captions (which Resolve doesn't support)
Colorist and finisher Patrick Inhofer shares how he developed his workflow for embedding 608 & 708 captions - which Resolve doesn't support.
Switching from Avid Media Composer to DaVinci Resolve Part 1
Land the switch from Avid Media Composer to DaVinci Resolve by understanding how key project settings relate to each other.
How to Create Professional High-Quality Video Tutorials
Learn to create professional video tutorials with these tips and tricks from professional trainer and Mixing Light contributor Daria Fissoun.
How to Create a Digital Cinema Package (DCP) in DaVinci Resolve
Need to make your first DCP in DaVinci Resolve? This in-depth guide with 3 Post Pros will teach you everything you need to know to succeed.
Resolve’s Six Vector Presets for Quick Secondary Adjustments
Daria Fissoun CSI uses color vectors for secondary adjustments in DaVinci Resolve on archival footage. Plus, Vector Presets vs Color Slice.