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Is AI Making Power Windows Obsolete? A Look At Magic Mask 2
Colorist Patrick Inhofer tests Resolve 19's Magic Mask against Resolve 20's AI Magic Mask 2, deciding if he'll use it on future grading jobs.
Effortlessly Animate Layered Photoshop Files in DaVinci Resolve
With these effective techniques, quickly build motion graphics animations from layered Photoshop files in the DaVinci Resolve Edit page.
PC Hardware for Creative Pros - Conversation with Puget Systems
What specification should you use to build a custom PC that can handle demanding color grading workflows? Puget Systems has the answer...
Building a Professional Custom Color Grading Suite from Scratch
What do you need to build a professional color grading suite from scratch? Post Professional Sam Lowe shares his in-depth design secrets.
Mystery Log: A Survival Guide Part 2 - Cineon Film Log
Learn to use Resolve's color transform node, offset adjustments, and HDR tools to grade footage lacking recording metadata with simplicity.
Office Hours LIVE – NAB 2025's Biggest News & Takeaways
Mixing Light Contributors share their professional perspectives on NAB 2025, the show's future, the best updates, and the impact of AI.
Jason Bowdach's Favorite Features in DaVinci Resolve 20
Colorist Jason Bowdach walks you through his six favorite new features in Resolve 20, plus a few less obvious favorites from this release.
Frequency Separation Using The 'Contrast Pop' ResolveFX
Using the 'Contrast Pop' ResolveFX plugin, learn about frequency separation in Part 5 of Hector Berrebi's 'Texture Management' series.
Mystery LOG: A Survival Guide Part 1
In his first Insight, Billy Causey tackles the challenge of color grading 'mystery log' footage, which lacks metadata about its origin.
The Art of Color Grading Animation with Keiran Lee
Supervising Colorist Keiran Lee reveals insights on the technical and creative differences in grading feature animations and VFX-heavy films.
Delivering 608 & 708 Captions (which Resolve doesn't support)
Colorist and finisher Patrick Inhofer shares how he developed his workflow for embedding 608 & 708 captions - which Resolve doesn't support.
Switching from Avid Media Composer to DaVinci Resolve Part 1
Land the switch from Avid Media Composer to DaVinci Resolve by understanding how key project settings relate to each other.
How to Create Professional High-Quality Video Tutorials
Learn to create professional video tutorials with these tips and tricks from professional trainer and Mixing Light contributor Daria Fissoun.
How to Create a Digital Cinema Package (DCP) in DaVinci Resolve
Need to make your first DCP in DaVinci Resolve? This in-depth guide with 3 Post Pros will teach you everything you need to know to succeed.
Resolve’s Six Vector Presets for Quick Secondary Adjustments
Daria Fissoun CSI uses color vectors for secondary adjustments in DaVinci Resolve on archival footage. Plus, Vector Presets vs Color Slice.
Identifying Chromatic Aberration And Removing Fringing
Colorist Daria Fissoun CSI discusses fringing and chromatic aberration. Including using a ResolveFX filter or an HSL qualifier to reduce it.
Using Tangent’s New 'Warp Engine' To Accelerate DaVinci Resolve
Learn how to use the Tangent Warp Engine to map any control, on any Tangent panel, to DaVinci Resolve—including ColorSlice and HDR wheels.
Fixing Overexposure In Standard Dynamic Range (SDR) Footage
Learn to restore overexposed standard dynamic range footage, using exposure planes & the face refinement ResolveFX - with tips and tricks.
How to Set Up And Use DaVinci Resolve's Remote Monitor App
Two colorists show how to set up the DaVinci Remote Monitor app to share your Color Page Viewer with remote clients during a grading session.
Definitive Guide To Resolve’s 3D Qualifier, Part 2 - Problem Solving
Daria Fissoun shows how to fix chroma key issues like hair, spills, and color matching for clean keys using Resolve's 3D qualifier.
Using SMPTE Bars to Color Manage Archival Materials
Daria Fissoun teaches you how to calibrate color bars on videotape archives, using DaVinci Resolve, to ensure accurate color reproduction.