Inside the Grade: The First Pass On A Feature Film
Watch over the shoulder of senior colorist Cullen Kelly as he works through his first pass on a feature film and shares his approach.
Help Matching These Shots, Please!
A member asked for some advice on matching two shots that had distinctly different looks. In this Mailbag, we discuss strategies for matching these shots.
Working With Reference Images Part 3: Building The Look
Cullen shows how to put the analysis of reference images + analysis of shots on the timeline together to create a cohesive, matching look.
Using Playheads - Working Faster In DaVinci Resolve's Color Page
Learn how to accelerate your color grading in DaVinci Resolve's Color Page by using multiple Playheads to quickly navigate the timeline.
An Introduction into Shot Matching
Shot Matching is one of the hardest areas of being a colorist. Dan shares his approach to going head to head with mismatched shots.