A Deeper Dive into the Many Contrast Options in DaVinci Resolve

October 10, 2025

Master DaVinci Resolve's contrast tools: Primary Wheels vs HDR controls, pivot points in stops, and why to avoid RAW tab contrast adjustments.


Contrast and Pivot Points in Color Wheels, HDR, Raw Controls…and more

Contrast sounds simple at first: the difference between the brightest and darkest parts of an image. But once you start working with different color spaces, gammas, and encoding systems, the concept becomes surprisingly complex. In this Insight, Rafael Bernabeu recaps the differences between regular Contrast in the Primary Wheels tab and HDR Contrast, while also explaining why you should generally avoid using Contrast in the RAW tabs.

Understanding these distinctions will help you make smarter grading decisions that respect your original exposure and deliver consistent results. We’ll explore how thinking about contrast “photographically”—in terms of stops above and below middle grey—can transform your approach to image making.

“The HDR version … is not going to move your RGB [values] while [moving contrast] up or down… which might feel a little bit awkward and usually gives more of that bleached bypass feel than a ‘regular’ contrast operation…”

Rafael Bernabeu Parreño, Colorist
Camera Raw controls in DaVinci Resolve's Color page
The Camera Raw Controls in DaVinci Resolve’s Color page have many controls. Contrast/Pivot is generally NOT one of the useful ones.

Key Takeaways

By the end of this Insight, you should understand:

  • Primary Wheels contrast operates on RGB channels simultaneously, affecting both luminance and saturation—useful when you want that interaction.
  • HDR contrast preserves color saturation while adjusting luminance only, with pivot values measured in stops for precise exposure-based adjustments.
  • Camera RAW contrast varies wildly by manufacturer and often fails to preserve middle grey reliably—stick to node-level tools instead.
  • You can replicate HDR-style contrast in Primary Wheels using Luminosity composite mode for workflow flexibility.
  • How thinking about contrast in stops (rather than arbitrary values) helps you make more intentional, photographically-informed decisions.

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