An Overview of Materials and Auxiliary Channels in DaVinci Resolve Fusion

February 19, 2019

Learn the workflow of the 3D toolset in DaVinci Resolve Fusion. Discover how to change materials, add reflections, color grade 3D objects.


3D Materials & Object IDs in Fusion

In the field of 3D and CGI the subject of shaders and materials is huge. We barely scratch the surface in this Insight. For those who understand these concepts and are wondering how they can be applied in DaVinci Resolve Fusion, this overview gets you oriented. But for those unfamiliar with the world of 3D, start to learn the terms and tools of advanced Fusion compositors. It allows you to create some fantastic looking imagery! Get a glimpse of the workflows and opportunities afforded by Resolve’s integrated toolset.

In this Insight you learn:

  • How to extrude 3D text with a bevel.
  • Apply different looking materials to text or other 3D objects.
  • Use the many template shaders, materials, and textures which come pre-built with Fusion.
  • Make something look shiny, metallic, bumpy and reflective.
  • Add multiple outputs from Fusion for use in the Color page in Resolve.

Just by adjusting a few controls in the specular highlights of a material we can change the appearance of something from matte to shiny, from plastic to metal. And then, to really make the difference, we add a reflection in its surface.

By applying a bumpmap texture as part of a material, we start to look at the concept of surface and vertex normals. 

Auxiliary channels

In the first half of this video, we only consider the four channels that are commonly processed, namely RGB and A (alpha). However, most compositing software and certain file types can contain many more channels than that. For instance, you can use the Z-depth channel, which can be useful to drive the strength of a blur for a depth-of-field effect. Another supported channel which could be very useful to finishing editors and colourists is ObjectID. ObjectID gives you a hold-out matte (or key signal) for different objects within a 3D scene. This can be very useful to a colorist.

I also experiment with using the Normals channels for grading. It allows you to change the lighting on a 3D object after it’s been imported into the Color page in Resolve.

Creating a Normals Shader

It’s worth noting that in the experiments I’ve done here with Object ID and Normals channels the output will not be anti-aliased. After I did this, I came across a useful video from Eyeon software (original developers of Fusion) which explains this and shows how you can overcome the problem if you need to do this for real:

YouTube video

Feeding multiples outputs from Fusion to Resolve’s Colour page

I think the way that you can add multiple MediaOut nodes (tools) in the Fusion page and use those in the Color page in Resolve is something that can open out a world of possibilities, not just related to 3D in Fusion but for matte creation, tracking, etc. Let your imagination (and experimentation) run wild.

-Jamie

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Homepage Forums An Overview of Materials and Auxiliary Channels in DaVinci Resolve Fusion

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    • Tim Whiting
      Guest

      Really useful information on this one, glad mixing light is getting deeper into the fusion side of resolve. If I could give a little honest feedback, the audio quality on this made it a lot harder to listen to than the usual mixing light uploads. It’s a small nit pick but vocals seem quite degraded while things like swallowing and keyboard clicks came through quite clear, it definitely affected my ability to sit through 20 mins of talking despite this being really interesting and well thought out content.


    • Jamie Dickinson
      Guest

      Glad you found the Insight useful – I think I need to find an Insight on the Fairlight audio side of things! My attempts at improving the quality of my recordings have obviously made things worse, I’ll work on that.

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