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Crafting Looks, Building Workflows, and Thriving in a New Market
Senior Colorist Abe Wynen shares how to succeed as a colorist when moving from Melbourne to Toronto and building client trust from scratch.
Python 101: Update Fusion Graphics from Spreadsheet Data
Learn to code a Python script to update DaVinci Resolve Fusion graphics and export each new timeline automatically, saving hours of effort!
The Chiaroscuro Edition - The Sunday Color Grading Newsletter
This week: Lighting techinique, industry standards, broadcast captions, moving at Avid speed, updated manuals, RX 9070XT, and more...
Delivering 608 & 708 Captions (which Resolve doesn't support)
Colorist and finisher Patrick Inhofer shares how he developed his workflow for embedding 608 & 708 captions - which Resolve doesn't support.
The Color Timer Podcast with Colorist & Trainer Daria Fissoun, CSI
Have you ever wondered where the terminology used in color grading originates? Discover this fascinating history with colorist Daria Fissoun.
Selecting High-Performance Post-Production Media Storage
What's the best storage for video post-production? How do NVMe, SSD, LTO, and HDD compare? Mixing Light shares expert answers from OWC.
The Heart of the Andes Edition - Sunday Color Grading Newsletter
This week: The 'look' of movies (again), Nosferatu, Avid to Resolve, Saturation, ARRI Dailies, RTX 5090, Baking Soda, and more...
Switching from Avid Media Composer to DaVinci Resolve Part 1
Land the switch from Avid Media Composer to DaVinci Resolve by understanding how key project settings relate to each other.
How to Create Professional High-Quality Video Tutorials
Learn to create professional video tutorials with these tips and tricks from professional trainer and Mixing Light contributor Daria Fissoun.
The AFC (or maybe NFC) Edition—Sunday Color Grading Newsletter
This Week: Super Bowl LIX, Technical Awards, ARRI whitepapers, Middle Gray, Fusion Color Management, Lego Meets Minecraft, and more...
Manual Fusion Color Management in DaVinci Resolve 19 - Part 1
DaVinci Resolve 19 adds a Managed Color Space View LUT for accurate Fusion color management in ACES and OCIO profiles. Here's how to use it.
Chatting with FilmLight Baselight Workflow Specialist Andy Minuth
Baselight specialist Andy Minuth mixes deep technical knowledge of image processing and color management with nuanced creative instincts.
The Food(ie) Edition - Sunday Morning Color Grading Newsletter
This week: Awards season, running a color grading business, Baselight Chromagen, DCTLs, B-stock, and something tasty.
Using Baselight’s New Look Development Tool: Chromogen
Colorist Luke Ross explains how to use Baselight's new Chromogen look development tool to quickly craft custom film emulation looks.
The Gemini 2.0 Edition - Sunday Morning Color Grading Newsletter
In this week's edition: Machine Learning tutorials, CES 2025 tidbits, HDR 10+, Contrast/Pivot, HDMI 2.2, and more.
Advanced Chroma Keying In Fusion: A Complete Walkthrough
Learn to key and composite a complex green screen shot from start to finish with these advanced techniques in DaVinci Resolve Fusion.
How to Export Multi-Channel Audio Stems in Premiere Pro
Export multi-channel audio in Premiere Pro with this step by step guide, including a hack for editing audio channels in existing files.
How to Create a Digital Cinema Package (DCP) in DaVinci Resolve
Need to make your first DCP in DaVinci Resolve? This in-depth guide with 3 Post Pros will teach you everything you need to know to succeed.
The 100 Colors Edition - Sunday Morning Color Grading Newsletter
This week: A colorful book, Int. Chinatown, free stuff, ACES and brand colors, paper photography, and more...
Color Grading Animation with Seasoned Colorist John Daro
How does color-grading animation differ from live action? Find out in our discussion with veteran editor and DI Colorist John Daro.
How Do You Read (And Set Up) Nobe OmniScopes Like A Colorist?
Professional colorist Daria Fissoun CSI shows her different OmniScope Layouts, optimized for different workflows. Plus, download her layouts.