Resolve’s Six Vector Presets for Quick Secondary Adjustments
Daria Fissoun CSI uses color vectors for secondary adjustments in DaVinci Resolve on archival footage. Plus, Vector Presets vs Color Slice.
Fixing Overexposure In Standard Dynamic Range (SDR) Footage
Learn to restore overexposed standard dynamic range footage, using exposure planes & the face refinement ResolveFX - with tips and tricks.
Using SMPTE Bars to Color Manage Archival Materials
Daria Fissoun teaches you how to calibrate color bars on videotape archives, using DaVinci Resolve, to ensure accurate color reproduction.
Deinterlacing & Upscaling NTSC Archives To 4K Deliverables
Learn how to use Resolve to deinterlace and upscale NTSC footage to 4K while preserving the original quality of your archive materials.
Restoring Archival Interlaced Masters For 4K Delivery & Posterity
Colorist Daria Fissoun shares a project she remastered to 4K. In Part 1 of this series, learn her project setup to prep the archival master.
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