Office Hours Live-NAB 2024 What We Expected + iPad Calibration
We discuss what we expected at NAB 2024, calibrating an iPad Pro, and how/if we're using the headline Resolve features of prior years.
Baselight Inspired: Resolveās Color Warper For Look Development
Colorist Jamie Dickinson is inspired by Baselight's Chromogen 'stages' paradigm of look development and applies it to Resolve's Color Warper.
The '2110' Edition - NAB 2024 Sunday Color Grading Newsletter
News, tutorials, and gear from the interwebs related to the art, craft, and business of professional color grading for 14 April 2024.
The Pre-NAB Edition - The Sunday Color Grading Newsletter
News, tutorials, and gear from the interwebs related to the art, craft, and business of professional color grading for the week 7 April 2024.
Python 101 For Post: Verify Data And Perform Checksums
In Part 4 of our Python for Post Professionals series, we add checksum verification and colorful ASCII colors to our media copy script.
The Career Lessons Learned Of Senior Colourist Ferg Rotherham
Senior Colorist Ferg Rotherham shares wisdom learned from his mentors and cinematographers, freelancing, and how to surprise your clients.
Old-School Color Grading - Shot-Matching People & Time Of Day
Learn how Patrick color graded (in Resolve) in 2013! In an upcoming Insight learn how he's overhauled his workflow - for better results.
Down The Baselight 6 Rabbit Hole Edition - Sunday Newsletter
News, tutorials, and gear from the interwebs related to the art, craft, and business of professional color grading. 17 March 2024 edition.
Display Calibration Workflows With Industry Expert David Abrams
Mixing Light members & Contributors are joined by display calibration expert David Abrams, talking workflows, colorimeters, & best practices.
Python 101: Scripting Media Management Operations
In Part 3 of his series, Kaur Hendrikson dives into the deep end and teaches you to script a Media Management operation for copying files.
The Panel Lottery Edition - Sunday Color Grading Newsletter
News, tutorials, and gear from the interwebs related to the art, craft, and business of professional color grading. 10 March 2024 edition.
Searching Mixing LightāPower User Tips & How We're Improving It
Learn how to maximize the search functions built into Mixing Light. Plus, learn how we plan to improve it - and what you can do to help us!
Recreating the Kong: Skull Island āToxic Yellowā Look
Exercise your grading skills by matching Kong: Skull Island's 'Toxic Yellow' look in DaVinci Resolve. Luke Ross shares his approach.
Alternate Uses For Shared Nodes in DaVinci Resolve
Learn how to unlock the utility of Shared Nodes by minimizing the need to switch between the clip-level and timeline-level node graphs.
The Complications Edition - Color Grading Sunday Newsletter
News, tutorials, and gear from the interwebs related to the art, craft, and business of professional color grading. 24 February 2024 edition.
How To Adapt A Photoshop 'Channels' Technique to Resolve
Patrick answers a member's question about simplifying their node tree, adapting a Photoshop color grading technique to DaVinci Resolve.
A Guide To Composite Modes in DaVinci Resolve
Refresh your knowledge on blending modes: What they are, what they do, and how to utilise them as color grading tools in DaVinci Resolve.
Color Grading 101: Shot Matching & Working With Multiple Nodes
In Part 2 of his series, Colorist Patrick Inhofer starts working 'at speed' on the Base Grade and then moves to Shot Matching (with scopes).
Python 101 - Dealing With Input Errors, Loops, Lists, & Debugging
Kaur Hendrikson fixes the errors from Part 1. Then he adds complexity, teaching more foundational Python concepts, as we skill up.
The Poisoned Pill Edition – Color Grading Sunday Newsletter
News, tutorials, and gear from the interwebs related to the art, craft, and business of professional color grading. 04 February 2024 edition.
Emulating Baselight's Texture Blend Tool For Noisy Secondaries
Colorist Marty Webb shows how to emulate Baselight's Texture Blending in DaVinci Resolve to control noisy secondary operations.