Sometimes you have to go full cheese and pay homage to looks and films from the 70s and 80s. In this insight we create a retro Sci-Fi look
Among Resolve 14's great new features, the redesigned collaborative workflow stands out. In this Insight, learn the essentials of Resolve collaboration.
Working with key signals in DaVinci Resolve isn't hard - but it's not intuitive either. Once you figure it out, it's also a power feature. Learn more.
Dan Moran shares his thoughts on the best commercial color grade nominations 2016. Top work from excellent colorists are great sources of ideas.
In this installment of The Colorist Podcast, Josh talks to colorist Adam Inglis about working on the BBC series Planet Earth II, & blockbuster features!
Using Scroll Mode in DaVinci Resolve is a quick and effortless way to audition grades for your current shot by loading grades
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
Pressure is an unavoidable part of being a professional colorist. In this Insight, learn strategies to alleviate pressure so you avoid a complete meltdown!
Dan is committing to doing work only in ACES in May. It's time to get out of the comfort zone & stop testing. Changing our technique is scary but also fun!
Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.
In this Insight, we take a look at some of the compelling new features in DaVinci Resolve 14 including OFX, performance and editing improvements.
In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Panel.
Now that most people have a basic knowledge of color correction thanks to Instagram what does that mean for us colorists?
On this installment of the Colorist Podcast, Josh talks to famed calibrator Dave Abrams of Avical about display technology, HDR & getting great calibrations
Get a tour of essential software a DIT uses on-set to execute the important tasks of handling (and handing-off) metadata, playback of clips and transcoding.
In this From The Mailbag, learn about changes and new features for Mixing Light members with the newest version of our Website -Mixing Light 2.0
Rich Roddman C.S.I. shows how he sets up his Cart for on-set color correction... and the thinking behind his choices.Part 4 of a DIT series.
In this special edition of the Color Correction Gear Head series, we welcome Joey D'Anna & his review of the Resolve Mini Panel.
Dan shares his inspiration for this month including BTS on Moonlight, Peter Doyle, A$AP Rocky and a Lorde video shot on 16mm
Does it matter if the director, actors or cinematographer are awesome - if the camera data is corrupt or lost? Tools for DIT happiness...