Connecting Our Community: Our Slack Channel Is Operational

Mixing Light is launching our member's only Slack channel. The initial goal is fostering community interaction during forced separation.

Creative Professionals, Contracts, Force Majeure in the Age of Covid-19

Attorney Seth Polansky, Esq, discusses the rights of creative pros if clients start pulling your jobs (and you've turned away other work).

Managing On-Set Local Area Networks - The Fundamentals

You can't network together your on-set production gear if you don't understanding IP networking. Get started with the basics: The IP Address.

Resolve Remote Workflow: Hawaii To LA & Back

In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.

Grading Challenge – Baselight Sci-Fi Grade

In this insight Dan reviews your submissions and shares his own Sci-Fi look using primarily Baseilght Base Grade

Taking A Look At Screen - A Modern Video Player For The Mac

In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.

Integrating Resolve's 'CST' Plugin with Fixed Node Trees

Learn how a pro colorist is integrating the Resolve 'color space transform' plugin into his fixed node tree to get better results, faster.

Revisiting Noise Reduction Part 2 - Digging Into Neat Video 5

Neat Video 5.1 is a powerful complement to DaVinci Resolve Studio's native noise reduction toolset. Get a close-uo look at Neat's workflow.

An Overview and Tour of DaVinci Resolve 16's Cut Page

When you open DaVinci Resolve 16 for the first time, you land on its Cut Page. How is it laid out? How does it differ from the Edit Page?

Quick Export: Customizing Resolve's New Export Features

DaVinci Resolve's Quick Export is often overlooked because it looks simplistic. Learn how to power up Quick Exports and save yourself time.

Revisiting RCM, ACES & CST Workflow

In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows

Separating Your Selections from Corrections in DaVinci Resolve

Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.

Grading Challenge – Modern Sci-Fi Brief

Dan plays client and dishes out a grade brief for a Modern Sci-Fi film that he'd like you to execute. Remember there are no wrong looks!

Revisiting Temporal and Spacial Noise Reduction in DaVinci Resolve

Take a fresh look at Resolve Studio's native noise reduction tools. Learn the process for working through the Temporal and Spacial toolsets.

Removing Unwanted Elements Using ResolveFX Revival Plugins

Do you want to remove artifacts from dirty lenses or remove objects that are distracting. These ResolveFX can help you, in Resolve Studio.

Colorist Inspiration - January 2020

Dan kicks off January 2020 by looking back on 2019 and speaks about his personal favourite grades & experiences of the past year.

Understanding Professional Displays With FSI's Bram Desmet

Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...

Running A Stronger Color Correction Business in 2020

In this Insight, Robbie reflects on 2019 and shares some of his goals for 2020 to help run a stronger color correction buisness

The Color Mangled Workflow: Modifying Look-Up Tables For Better Results

Do you struggle getting a good starting point while using Look-Up Tables (LUTs)? This idea may make things easier (in Davinci Resolve).

Macros on MacOS - Switching from AutoHotKey to Keyboard Maestro

Learn how to use Keyboard Maestro and Stream Deck to supercharge your workflow in DaVinci Resolve on Mac with powerful macros.

Sculpting Clipped Highlights - Roll-offs, Tints, Glows, and Streaks

Dealing with clipped highlights is a regular annoyance. Learn how to make these artifacts look more natural & intentional with color grading.