Promo Finishing Workflow in DaVinci Resolve

Learn how to use DaVinci Resolve to finish and output coutless versions of broadcast promos, easy fast and without any mistakes.

Color Grading In Spectachrome - Starting With Grain

Dan answers some comments from members about why he adds his grain to the image at the very beginning of his node graph

How to Protect Your Company and Clients from Email Spoofing

As media professionals we need to protect our digital identities from being used to spear-phish our clients. Learn how DMARC does this.

Don't Hate: Tips For Not Resenting Projects Or Clients

In this Insight learn several strategies for not resenting projects and clients & getting totally burned out.

Understanding the Future of Color Grading - Part 4

The film and television production and distribution pipeline is quickly evolving to support wide color gamuts. What's pushing this change?

Accurate Monitoring in Premiere - HDR and Apple displayP3 Colorspace

Learn how to set up Adobe Premiere Pro for HDR workflows and to make Apple Retina's displayP3 monitors 'accurate' for web-based deliverables.

A DCP Problem & A Refresh On Troubleshooting

In this installment of From the Mailbag we discuss two problems in creating a DCP & discussing proper troubleshooting techniques for any problem.

$5000 For A Monitor. What Should I Get?

We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.

Color Grading In Spectachrome - Going Full Wes Anderson Part One

Dan cracks open another project fresh from the grading suite. In this part we take a look at the Spectachrome brief & project organisation.

Advanced vs. Mini Control Surface - Should I Sell The Advanced Panel?

Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, & asks if the larger panel is worth keeping?

Updating A Color Grading Suite - 2 Years Later

Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.

ACES in Action Part 2 - Breaking Down the Imaging Pipeline

In Part 2 of this Series, learn the details of an indie film navigating ACES between DaVinci Resolve, Premiere Pro, and After Effects.

Simplifying DCP Drive Delivery With Cinematiq's DCP Transfer

Learn about Cinematiq's DCP Transfer application for streamlining EXT2 DCP driver deliveries - without having to jump in the Terminal!

ACES Color Correction in Action: An Indie Case Study Part 1

The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.

Working On The Road - Taking Vacation As A Freelance Colourist

Working as a freelance colorist seems like freedom and flexibility. But what do you do on vacation - and the client has urgent revisions?

Exploring Saturation Controls in DaVinci Resolve - Color Boost Part 3

Learn how various Saturation controls in DaVinci Resolve are identical to each other. Plus, understanding saturation-related hue shifts.

How Do You Finish at the Highest Possible Quality in Premiere Pro CC?

Premiere Pro has strict, but hidden, color management. Learn how to setup the software and hardware for proper color management & finishing.

Our Thoughts On The Apple Pro Display XDR or Is It Truly XDR?

Team Mixing Light continues discussing Apple's announcements of new hardware at WWDC. This time we talk about the new Apple Pro Display XDR.

Introduction to Tracking Tools and Techniques in Resolve Fusion

Learn how to set up and use Resolve Fusion's point- and planar- trackers. You'll deal with occlusions and see a powerful tracking technique.

Our Thoughts On The 2019 Apple Mac Pro

At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.

Is DaVinci Resolve 16 Public Beta Now Ready For You To Upgrade?

DaVinci Resolve 16 is very exciting. But it's currently in 'Public Beta'. What does that mean? Can you update to it safely?