Creating supplemental IMF packages in DaVinci Resolve
What is an IMF package? How doyou use DaVinci Resolve to create supplemental IMFs for delivering fixes and alternate versions?
What's Up With Supplemental IMFs?
In this installment of From the MailBag, we're once again joined by Mixing Light contributor Joey D'Anna who gives us the skinny on supplemental IMF packages for delivery to broadcasters and OTT providers.
Why Is Color Grading So Hard (and what can you do about it)?
Do you doubt your ability to color correct moving images? Are you constantly re-doing your work? Learn what's going wrong and how to fix it.
How to Set Up Premiere Pro for Quick Color Grading Sessions
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
Are You Punching Below Your Weight? Is There Anything To Be Done?
In this episode of From The Mailbag we discuss a member's email about how he feels he should be landing bigger projects but isn't.
Am I ready for client supervised color grading sessions?
A Mixing Light member has color graded for an internal team for years. But how does he know if he's ready for outside client color sessions?
Promo Finishing Workflow in DaVinci Resolve
Learn how to use DaVinci Resolve to finish and output coutless versions of broadcast promos, easy fast and without any mistakes.
Color Grading In Spectachrome - Starting With Grain
Dan answers some comments from members about why he adds his grain to the image at the very beginning of his node graph
How to Protect Your Company and Clients from Email Spoofing
As media professionals we need to protect our digital identities from being used to spear-phish our clients. Learn how DMARC does this.
Don't Hate: Tips For Not Resenting Projects Or Clients
In this Insight learn several strategies for not resenting projects and clients & getting totally burned out.
Understanding the Future of Color Grading - Part 4
The film and television production and distribution pipeline is quickly evolving to support wide color gamuts. What's pushing this change?
Accurate Monitoring in Premiere - HDR and Apple displayP3 Colorspace
Learn how to set up Adobe Premiere Pro for HDR workflows and to make Apple Retina's displayP3 monitors 'accurate' for web-based deliverables.
A DCP Problem & A Refresh On Troubleshooting
Team Mixing Light tackles two problems creating a DCP. We also discuss proper troubleshooting techniques for any post production problem.
$5000 For A Monitor. What Should I Get?
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Color Grading In Spectachrome - Going Full Wes Anderson Part One
Dan cracks open another project fresh from the grading suite. In this part we take a look at the Spectachrome brief & project organisation.
Advanced vs. Mini Control Surface - Should I Sell The Advanced Panel?
Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, and asks if the larger panel is worth keeping?
Updating A Color Grading Suite - 2 Years Later
Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.
ACES in Action Part 2 - Breaking Down the Imaging Pipeline
In Part 2 of this Series, learn the details of an indie film navigating ACES between DaVinci Resolve, Premiere Pro, and After Effects.
Simplifying DCP Drive Delivery With Cinematiq's DCP Transfer
Learn about Cinematiq's DCP Transfer application for streamlining EXT2 DCP driver deliveries - without having to jump in the Terminal!
ACES Color Correction in Action: An Indie Case Study Part 1
The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.
Working On The Road - Taking Vacation As A Freelance Colourist
Working as a freelance colorist seems like freedom and flexibility. But what do you do on vacation - and the client has urgent revisions?
