We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Dan cracks open another project fresh from the grading suite. In this part we take a look at the Spectachrome brief & project organisation.
Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, & asks if the larger panel is worth keeping?
Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.
In Part 2 of this Series, learn the details of an indie film navigating ACES between DaVinci Resolve, Premiere Pro, and After Effects.
Learn about Cinematiq's DCP Transfer application for streamlining EXT2 DCP driver deliveries - without having to jump in the Terminal!
The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.
Working as a freelance colorist seems like freedom and flexibility. But what do you do on vacation - and the client has urgent revisions?
Learn how various Saturation controls in DaVinci Resolve are identical to each other. Plus, understanding saturation-related hue shifts.
Premiere Pro has strict, but hidden, color management. Learn how to setup the software and hardware for proper color management & finishing.
Team Mixing Light continues discussing Apple's announcements of new hardware at WWDC. This time we talk about the new Apple Pro Display XDR.
Learn how to set up and use Resolve Fusion's point- and planar- trackers. You'll deal with occlusions and see a powerful tracking technique.
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
DaVinci Resolve 16 is very exciting. But it's currently in 'Public Beta'. What does that mean? Can you update to it safely?
We take a look at Game Of Thrones Season 8, Episode 3 and ask, as creative professionals, was it too dark and where did it go wrong?
We continue deconstructing Resolve's Color Boost controls, offer an alternative definition, and demonstrate how it differs from Saturation.
Learn how to build (and re-use) your Resolve Fusion comps as Groups and Macros. Plus, choosing which settings are exposed on the Edit Page.
Dan shares his thoughts on recreating tape based artifacts using the brand new Resolve 16 Analog Damage tool.
In this installment of From The Mailbag we discuss a member's question on how to handle a DP who doesn't trust any monitor in a facility.
Video scopes are an essential tool to all colorists. Learn all the exciting new scope features in Resolve 16 to speed up your grading.