Coloring long form projects with very quick turn arounds can be very challenging. In this article, learn techniques for surviving & finishing big projects
In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!
Beauty grading is a discipline all on its own. Dan shares a typical client brief and will offer stages of feedback like a real world client
When is it ok to "sell myself short"? Katie Hinsen suggests taking a more holistic approach to value when considering an opportunity, job or client.
In this insight Dan is reviewing your efforts on his car brief and also sharing his attempt at the shot to show his approach to the grade.
Magic Bullet Looks is a powerful plug-in for creating looks. Does the newest version play back in real-time? How is its performance in Davinci Resolve?
An old school technique that is still regularly used today in commercials. Having a break between grading the same footage has huge advantages.
When you start delving into the finer points of color correction you'll eventually learn about Gamma 2.2 vs Gamma 2.4. Learn how to choose between them.
In this installment of the Colorist Podcast Josh talks to well known author, director, and colorist Alexis Van Hurkman about a wide variety of color topics
In Davinci Resolve 14 Public Beta 7 the Project, System & User Preferences are revised. Learn what's changed, what needs improvement and what's left to do.
In a new series Dan shares his guide to training your eye for contrast issues. Follow this four step process to learn how to diagnose and fix your images
In this Insight, ML contributor Katie Hinsen shares her thoughts about cold calling as well as several practical tips on making contact more effective.
In this Insight, Joey D'Anna shares some of what went into the design of his color suite, why he loves Aeron chairs, TBC consoles and more!
Following a brief for unattended grades can be incredibly difficult. Dan sets up a virtual client grade and will give feedback on your grade in the comments
RED's new IPP2 processing pipeline has a lot to offer, in this Insight, we explore the new pipeline setup in RedCineX & DaVinci Resolve 14
Dan is turning 30 and shares his work from across the years to show how his grading has evolved and improved year after year
In Part 3 of our series, you'll see the different input devices I've experimented with and the computer displays I'm using... with eye toward ergonomics.
In this installment of From The Mailbag, guest Joey D'Anna joins in and we discuss choosing ACES or RCM & setting panel control sensitivity
Once you've properly designed an ergonomic desk for editing or color correction, you need to make it look professional - and mount your computer displays.
Managing the elements and components on a feature film is pretty much a full time job. Dan shares his tips for using markers to stay on top of his project
If you're trying to smooth out exposure changes in your footage then you'll love using Resolve 14's new Color Stabilizer filter (and avoid keyframing).