Colorist Podcast Episode 18: Patrick Woodard

In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!

Behind The Curtain – Furniture Grade : Introduction

In an experimental new series Dan shares a look behind the curtain at a real world grading project. From quoting to delivery he dives deep on his process

How To Improve Reference Display Calibration Results (in CalMAN Studio)

Learn how to improve your display calibration results when using CalMAN Studio. And does using a 'Lightning LUT' compromise your final results?

Creating (and Verifying) a 3D Calibration LUT in CalMAN Studio

Part 2 in our calibration series has us doing our first calibration in CalMAN Studio. We generate two different LUTs for our OLED display.

Color Correction Gear Head: November 2017 Edition

In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting

Grading In A New Software - Have Confidence In Yourself

Most of us are more comfortable using the same software all the time but why limit your opportunities? Dan shares his tips on learning a new software.

Colorist Inspiration - UKMVAs Best Color Nominations 2017

Dan shares his thoughts about the UKMVA nominations 2017 for best music video color grading award and asks you to predict the winner

Introduction to Reference Display Calibration - Series Overview

Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.

Colorist Podcast Episode 17: Bob Festa

In this episode, Josh talks to legendary colorist Bob Festa about his gigantic body of work, grading techniques and much more!

Grade Rescue - Saving A DSLR Moving Portrait

Dan filmed some bad footage on his 7D with the wrong color temperature, harsh lighting & heavy compression. He offers up his best effort on a grade rescue.

Getting To Know The El Gato Stream Deck: Part 1

Designed for gamers and streaming is the El Gato a suitable control surface supplement for colorists? In this Insight, learn about the Stream Deck

Can You Save This Shot? (while learning Resolve's Noise Reduction)

Download and color correct a challenging video clip - following the instructions of a supervising colorist. And learn about Resolve's noise reduction.

Color Grading Challenge - Beauty Grading Review

Dan critiques your beauty grading entries and shares his attempt. The challenge was quite advanced and the results are great. Dan's DRX is also downloadable

Colorist Inspiration – September 2017

Dan shares his inspiration for this month by checking out the nominations for Outstanding Color Grading at the HPA awards

How to Work with Color Charts in DaVinci Resolve 14

If you use DaVinci Resolve to color correct with Color Charts then should you change your workflow in DaVinci Resolve 14? The answer isn't simple. Or is it?

Surviving (And Finishing) A 1000 Shot Project In 2 Days Or Less

Coloring long form projects with very quick turn arounds can be very challenging. In this article, learn techniques for surviving & finishing big projects

Colorist Podcast Episode 16: Alexis Van Hurkman Part 2

In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!

Grading Challenge - Beauty Grading Brief

Beauty grading is a discipline all on its own. Dan shares a typical client brief and will offer stages of feedback like a real world client

When To Sell Yourself Short?

When is it ok to "sell myself short"? Katie Hinsen suggests taking a more holistic approach to value when considering an opportunity, job or client.

Grading Challenge - Reviewing My Car Brief Grades

In this insight Dan is reviewing your efforts on his car brief and also sharing his attempt at the shot to show his approach to the grade.

Is Magic Bullet Looks 4 Fast Enough For Client-Attended Sessions?

Magic Bullet Looks is a powerful plug-in for creating looks. Does the newest version play back in real-time? How is its performance in Davinci Resolve?

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