In this installment of the Colorist Podcast Josh talks to well known author, director, and colorist Alexis Van Hurkman about a wide variety of color topics
In Davinci Resolve 14 Public Beta 7 the Project, System & User Preferences are revised. Learn what's changed, what needs improvement and what's left to do.
In a new series Dan shares his guide to training your eye for contrast issues. Follow this four step process to learn how to diagnose and fix your images
In this Insight, ML contributor Katie Hinsen shares her thoughts about cold calling as well as several practical tips on making contact more effective.
In this Insight, Joey D'Anna shares some of what went into the design of his color suite, why he loves Aeron chairs, TBC consoles and more!
Following a brief for unattended grades can be incredibly difficult. Dan sets up a virtual client grade and will give feedback on your grade in the comments
RED's new IPP2 processing pipeline has a lot to offer, in this Insight, we explore the new pipeline setup in RedCineX & DaVinci Resolve 14
Dan is turning 30 and shares his work from across the years to show how his grading has evolved and improved year after year
In Part 3 of our series, you'll see the different input devices I've experimented with and the computer displays I'm using... with eye toward ergonomics.
In this installment of From The Mailbag, guest Joey D'Anna joins in and we discuss choosing ACES or RCM & setting panel control sensitivity
Once you've properly designed an ergonomic desk for editing or color correction, you need to make it look professional - and mount your computer displays.
Managing the elements and components on a feature film is pretty much a full time job. Dan shares his tips for using markers to stay on top of his project
If you're trying to smooth out exposure changes in your footage then you'll love using Resolve 14's new Color Stabilizer filter (and avoid keyframing).
In DaVinci Resolve 14, the Stabilizer got a new set of controls that seem overly simple. Has this tool been upgraded? Or should you work in Classic mode?
Dan shares his new approach to Assessing Tonal Range and the initial grading moves by asking. Are you trying to make it look better or different?
in this installment of the Colorist Podcast, Josh talk to colorist Juan Ignacio Cabrera about his work on cutting edge projects & many other subjects.
As creative professionals working in post production, you are tied to your chair and desk. This Insight shares the fundamentals of healthy workspace design.
Sending before & after stills is part of our life as a colourist. Dan shares his template and thoughts behind using a branded PDF to send to his clients
The hardest part about color correction is not learning new software or pushing buttons but communication with clients. Learn more in this Insight.
Some jobs just call for the grade to be turned up to 11. A fun way to do this is by blending multiple LUTs together and enjoying the happy accidents!
The ARRI Alexa Mini is a great camera - and it color corrects beautifully in ACES. Learn how to confirm your color pipeline (in DaVinci Resolve).