Separating Your Selections from Corrections in DaVinci Resolve
Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.
Grading Challenge – Modern Sci-Fi Brief
Dan plays client and dishes out a grade brief for a Modern Sci-Fi film that he'd like you to execute. Remember there are no wrong looks!
Revisiting Temporal and Spacial Noise Reduction in DaVinci Resolve
Take a fresh look at Resolve Studio's native noise reduction tools. Learn the process for working through the Temporal and Spacial toolsets.
Removing Unwanted Elements Using ResolveFX Revival Plugins
Do you want to remove artifacts from dirty lenses or remove objects that are distracting. These ResolveFX can help you, in Resolve Studio.
Colorist Inspiration - January 2020
Dan kicks off January 2020 by looking back on 2019 and speaks about his personal favourite grades & experiences of the past year.
Understanding Professional Displays With FSI's Bram Desmet
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...
Running A Stronger Color Correction Business in 2020
In this Insight, Robbie reflects on 2019 and shares some of his goals for 2020 to help run a stronger color correction buisness
The Color Mangled Workflow: Modifying Look-Up Tables For Better Results
Do you struggle getting a good starting point while using Look-Up Tables (LUTs)? This idea may make things easier (in Davinci Resolve).
Macros on MacOS - Switching from AutoHotKey to Keyboard Maestro
Learn how to use Keyboard Maestro and Stream Deck to supercharge your workflow in DaVinci Resolve on Mac with powerful macros.
Sculpting Clipped Highlights - Roll-offs, Tints, Glows, and Streaks
Dealing with clipped highlights is a regular annoyance. Learn how to make these artifacts look more natural & intentional with color grading.
Color Grading Success 101 - Displays, Colorimeters, and Scopes
In Part 2 of this foundational series, learn about the physical considerations of a color grading suite that impact taking paying work.
Color Grading In Spectachrome Part 2 - Working With The Fuji XT-3
Working with new cameras is always a challenge. Get an inside look at what Dan does when working with the Fuji XT-3 camera
2019 Mac Pro - One Colorist's Thoughts After Switching Back To The Mac
What does a colorist think of the 2019 Mac Pro after switching back to Mac? Plus, learn his thoughts about optimal specs for color grading.
Working With The ARRI Alexa Mini LF
A professional DIT shares gets us up to speed on the ARRI's large format mini camera. Plus, learn about its unique ProRes codec.
Pay Transparency - What Are Current Rates for US Colorists and DITs?
Are you wondering how much colorists, DITs, or one of their assistants charge per-hour in your city? Katie shares the findings from a survey.
Color Correction Gear Head: January 2020 Edition
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
Color Grading 'Origins' In Baselight - Project Overview
In this new series, Dan's grading the short film 'Origins' (using Baselight). It's got VFX, ACES, multiple deliverables (and light sabers).
Inside Pat's Color Grading Head - The Evolution of His Fixed Node Tree
Learn the benefits of a 'fixed node tree' in DaVinci Resolve. Get a look inside one colorist's node tree - and how it evolved over time.
Emulating Film Halation in DaVinci Resolve
Learn two different methods (with different levels of control) of emualting the beauty of film halation using DaVinci Resolve.
Looking Back On The Past Decade & Forward To The Next One
In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.
Is the Disney + Series 'The Mandalorian' Fake HDR?
In this installment of From The Mailbag, we tackle a hot topic from the world of color grading this past week - is there such as thing as FAKE HDR?
