Clients Unhappy With Downstream SDR Grade?

In this installment of From The Mailbag, we discuss a question from a member about HDR > SDR tone mapping and how to handle expectations

My Favorite New Color Feature in Resolve 16: The Adjustment Clip

Resolve 16 adds hundreds of features, including powerful new adjustment clips. Learn how to use them streamline your grading workflow.

What I Learned (and Surprised Me) in 5 Hours at NAB 2019 - Part 1

At NAB 2019 with 5 hours of 'me time', in Part 1 learn what I though was significant in Resolve 16 and Mistika Boutique.

Grading With Fusion: Connecting The Fusion and Color Pages

Take your color grading work to the next level in DaVinci Resolve. Learn how to use mattes generated in the Fusion page on the color page.

Understanding How Color Boost Works in DaVinci Resolve

It's not always clear how Resolve's 'Color Boost' tool works differently than its 'Saturation' tool. This video breaks down the differences.

New Dolby Vision Training & Looking Forward to NAB 2019

The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.

Troubleshooting 101 – Cleanup With The Color Compressor & Node Resizing

Dan shares his breakdown of cleaning up a bike frame using the color compressor and node resizing in Resolve

Understanding The Future Of Color Grading - HDR and 'Presence'

In Part 3 of this series, you learn about the evolution of digital video from Standard- to High- Dynamic Range. Why is it here to stay?

Troubleshooting 101 - Cleaning Up An Annoying Background

Dan shares his thoughts behind his solution to removing a reflection using Resolve's Color Page - on a 16mm shot with moving grain structure.

CDLs in Action and Roundtripping Through DaVinci Resolve

Learn how to create, export, and import ASC-CDL compliant color grades using DaVinci Resolve. Plus tips and tricks with CDL data.

What Project Type Should I Use to Edit and Color Correct in Premiere Pro?

Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?

Troubleshooting 101 - Resolve Color Management

Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.

Overview of Materials and Auxiliary Channels in DaVinci Resolve Fusion

Learn the workflow of the 3D toolset in DaVinci Resolve Fusion. Discover how to change materials, add reflections, color grade 3D objects.

Look Inspiration - Emulating VHS Camcorder Footage

What's harder than faking a VHS-look from a high-end camera? Intercutting that look with actual crummy VHS. Learn one way to do it.

Revisiting Strategies For Getting Paid (on time and without hassle)

Getting paid quickly is a key part to running your own business. In this Mailbag we discuss strategies for getting paid on-time.

Colorist Inspiration January 2019 - Most Memorable Jobs of 2018

Every year Dan looks back at the previous year and shares his greatest successes. This year, he focuses on his most memorable jobs.

Using DCTLs And Expanding Resolve's Functionality

Do you perform repetitive tasks on a regular basis when color correcting or finishing? Then learn how to use DCTLs to automate those tasks!

How To Avoid Two Gotchas In The Lumetri Workflow

Learn how to avoid two problems when color correcting using Premerie Pro's Lumetri workflow. It's all about recovering clipped detail.

Beyond Crypto-Kitties - Blockchain technology in post production

Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).

Breaking Down A Black and White Film with a Violet Twist

Isolate an object in a black & white film, isolate its color, and use keys to shift hue, saturation, and gain. How hard can that be?

Behind The Curtain - 16mm Style Grade Part Four

Dan wraps up his behind the curtain series with a watch through and matching pass on the whole video to make sure it flows as a whole film