Colorist Podcast Episode 15: Alexis Van Hurkman

In this installment of the Colorist Podcast Josh talks to well known author, director, and colorist Alexis Van Hurkman about a wide variety of color topics

DaVinci Resolve 14 Public Beta 7 and Its Redesigned Preferences

In Davinci Resolve 14 Public Beta 7 the Project, System & User Preferences are revised. Learn what's changed, what needs improvement and what's left to do.

Eye Training : Diagnose and Compare

In a new series Dan shares his guide to training your eye for contrast issues. Follow this four step process to learn how to diagnose and fix your images

A Modern Approach To Cold-Calls

In this Insight, ML contributor Katie Hinsen shares her thoughts about cold calling as well as several practical tips on making contact more effective.

Design Essentials: Another Perspective On Suite Design

In this Insight, Joey D'Anna shares some of what went into the design of his color suite, why he loves Aeron chairs, TBC consoles and more!

Grading Challenge - Follow My Brief

Following a brief for unattended grades can be incredibly difficult. Dan sets up a virtual client grade and will give feedback on your grade in the comments

RED's IPP2 Pipeline In Resolve (Sort Of)

RED's new IPP2 processing pipeline has a lot to offer, in this Insight, we explore the new pipeline setup in RedCineX & DaVinci Resolve 14

Colorist Inspiration – August 2017

Dan is turning 30 and shares his work from across the years to show how his grading has evolved and improved year after year

The Ergonomics of Keyboards, Keypads and Computer Displays

In Part 3 of our series, you'll see the different input devices I've experimented with and the computer displays I'm using... with eye toward ergonomics.

Mailbag Episode 39: ACES or RCM? And Panel Sensitivity/Settings

In this installment of From The Mailbag, guest Joey D'Anna joins in and we discuss choosing ACES or RCM & setting panel control sensitivity

How To Neatly Wire Your Sit-To-Stand Desk (and look professional)

Once you've properly designed an ergonomic desk for editing or color correction, you need to make it look professional - and mount your computer displays.

Feature Grading: Using Markers To Keep Your Sanity Part 1

Managing the elements and components on a feature film is pretty much a full time job. Dan shares his tips for using markers to stay on top of his project

Using Resolve 14's New Color Stabilizer To Smooth Exposure Bumps

If you're trying to smooth out exposure changes in your footage then you'll love using Resolve 14's new Color Stabilizer filter (and avoid keyframing).

Is Resolve 14's New Stabilizer An Upgrade (or is it dumbed down)?

In DaVinci Resolve 14, the Stabilizer got a new set of controls that seem overly simple. Has this tool been upgraded? Or should you work in Classic mode?

Thinking Like A Colorist - Assessing Tonal Range

Dan shares his new approach to Assessing Tonal Range and the initial grading moves by asking. Are you trying to make it look better or different?

Colorist Podcast Episode 014: Juan Ignacio Cabrera, CSI

in this installment of the Colorist Podcast, Josh talk to colorist Juan Ignacio Cabrera about his work on cutting edge projects & many other subjects.

How to Design an Ergonomic Desk for Editing and Color Correction

As creative professionals working in post production, you are tied to your chair and desk. This Insight shares the fundamentals of healthy workspace design.

Easily Create A Branded Before & After PDF Workflow

Sending before & after stills is part of our life as a colourist. Dan shares his template and thoughts behind using a branded PDF to send to his clients

Client Communication: A Short Primer For Young Colorists

The hardest part about color correction is not learning new software or pushing buttons but communication with clients. Learn more in this Insight.

Creative Grading - Blending LUTs

Some jobs just call for the grade to be turned up to 11. A fun way to do this is by blending multiple LUTs together and enjoying the happy accidents!

Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES?

The ARRI Alexa Mini is a great camera - and it color corrects beautifully in ACES. Learn how to confirm your color pipeline (in DaVinci Resolve).

Page 1 of 3012345...102030...Last »