From The Grading Room – Grading Lucy Rose

Dan shares the behind the scenes thoughts that go into such a stylised 70s era music video for Lucy Rose. 80% in camera and 20% in the grade

Colorist Podcast Episode 013: Vanessa Taylor

In this installment of the Colorist Podcast, Josh is joined by colorist Vanessa Taylor. From balancing tech & art, grading HDR this is a great listen!

In Action: Working With The Key Mixer In DaVinci Resolve

In Part 2 of this series on working with alpha channels in DaVinci Resolve, learn how to use the Key Mixer to solve tricky a tricky problem on a commercial.

From The Grading Room – A Tribute To An Icon

Sometimes we need to go outside our role as traditional colorist. Dan shares his story form his work paying tribute to an icon

Getting To Know The Resolve 14 Collaborative Workflow Part 2

In this Insight, we put Part 1 into action and explore the powerful workflows possible with Resolve 14 collaborative workflows.

How much faster can you color correct with a colorist control surface?

Are you wondering about buying a Color Correction Control Surface? This article explains the benefits - following one colorist making the transition.

Dan's Month In ACES

Dan spent a month in ACES getting to know the new way of grading. In this insight he shares his thoughts on the good the bad and the ugly of ACES.

From the Mac to PC for Media Pros: Answering Member Questions Part 2

If you need to buy a high-performance video post production computer today, then you're looking at a PC. Here are more answers to questions of Mac users.

Creative Grading - Retro Sci-fi Look

Sometimes you have to go full cheese and pay homage to looks and films from the 70s and 80s. In this insight we create a retro Sci-Fi look

Getting To Know The Resolve 14 Collaborative Workflow: Part 1

Among Resolve 14's great new features, the redesigned collaborative workflow stands out. In this Insight, learn the essentials of Resolve collaboration.

In Action: Working with Key Signals in DaVinci Resolve

Working with key signals in DaVinci Resolve isn't hard - but it's not intuitive either. Once you figure it out, it's also a power feature. Learn more.

Find Your Color Correct Inspiration -Best Colorist Nominations 2017

Dan Moran shares his thoughts on the best commercial color grade nominations 2016. Top work from excellent colorists are great sources of ideas.

Colorist Podcast Episode 012: Adam Inglis

In this installment of The Colorist Podcast, Josh talks to colorist Adam Inglis about working on the BBC series Planet Earth II, & blockbuster features!

DaVinci Resolve Advanced Panel - Scroll Mode

Using Scroll Mode in DaVinci Resolve is a quick and effortless way to audition grades for your current shot by loading grades

Moving From A Mac to PC for Media Professionals: Member Questions

A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.

Pressure: How To Get Things Done Without Having A Breakdown

Pressure is an unavoidable part of being a professional colorist. In this Insight, learn strategies to alleviate pressure so you avoid a complete meltdown!

Colorist Inspiration - ACES In May

Dan is committing to doing work only in ACES in May. It's time to get out of the comfort zone & stop testing. Changing our technique is scary but also fun!

DaVinci Resolve 14: The Mythical Collaborative Workflow Has Arrived

Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.

DaVinci Resolve 14: First Look

In this Insight, we take a look at some of the compelling new features in DaVinci Resolve 14 including OFX, performance and editing improvements.

Color Correction Gear Head: April 2017 Edition

In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Panel.

From The Grading Room - Are We Sterilizing Images?

Now that most people have a basic knowledge of color correction thanks to Instagram what does that mean for us colorists?

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