Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.
Dan plays client and dishes out a grade brief for a Modern Sci-Fi film that he'd like you to execute. Remember there are no wrong looks!
Take a fresh look at Resolve Studio's native noise reduction tools. Learn the process for working through the Temporal and Spacial toolsets.
Do you want to remove artifacts from dirty lenses or remove objects that are distracting. These ResolveFX can help you, in Resolve Studio.
Dan kicks off January 2020 by looking back on 2019 and speaks about his personal favourite grades & experiences of the past year.
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...
In this Insight, Robbie reflects on 2019 and shares some of his goals for 2020 to help run a stronger color correction buisness
Do you struggle getting a good starting point while using Look-Up Tables (LUTs)? This idea may make things easier (in Davinci Resolve).
Learn how to use Keyboard Maestro and Stream Deck to supercharge your workflow in DaVinci Resolve on Mac with powerful macros.
Dealing with clipped highlights is a regular annoyance. Learn how to make these artifacts look more natural & intentional with color grading.
In Part 2 of this foundational series, learn about the physical considerations of a color grading suite that impact taking paying work.
Working with new cameras is always a challenge. Get an inside look at what Dan does when working with the Fuji XT-3 camera
What does a colorist think of the 2019 Mac Pro after switching back to Mac? Plus, learn his thoughts about optimal specs for color grading.
A professional DIT shares gets us up to speed on the ARRI's large format mini camera. Plus, learn about its unique ProRes codec.
Are you wondering how much colorists, DITs, or one of their assistants charge per-hour in your city? Katie shares the findings from a survey.
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
In this new series, Dan's grading the short film 'Origins' (using Baselight). It's got VFX, ACES, multiple deliverables (and light sabers).
Learn the benefits of a 'fixed node tree' in DaVinci Resolve. Get a look inside one colorist's node tree - and how it evolved over time.
Learn two different methods (with different levels of control) of emualting the beauty of film halation using DaVinci Resolve.
In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.