In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
In an experimental new series Dan shares a look behind the curtain at a real world grading project. From quoting to delivery he dives deep on his process
Learn how to improve your display calibration results when using CalMAN Studio. And does using a 'Lightning LUT' compromise your final results?
Part 2 in our calibration series has us doing our first calibration in CalMAN Studio. We generate two different LUTs for our OLED display.
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Most of us are more comfortable using the same software all the time but why limit your opportunities? Dan shares his tips on learning a new software.
Dan shares his thoughts about the UKMVA nominations 2017 for best music video color grading award and asks you to predict the winner
Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.
In this episode, Josh talks to legendary colorist Bob Festa about his gigantic body of work, grading techniques and much more!
Dan filmed some bad footage on his 7D with the wrong color temperature, harsh lighting & heavy compression. He offers up his best effort on a grade rescue.
Designed for gamers and streaming is the El Gato a suitable control surface supplement for colorists? In this Insight, learn about the Stream Deck
Download and color correct a challenging video clip - following the instructions of a supervising colorist. And learn about Resolve's noise reduction.
Dan critiques your beauty grading entries and shares his attempt. The challenge was quite advanced and the results are great. Dan's DRX is also downloadable
Dan shares his inspiration for this month by checking out the nominations for Outstanding Color Grading at the HPA awards
If you use DaVinci Resolve to color correct with Color Charts then should you change your workflow in DaVinci Resolve 14? The answer isn't simple. Or is it?
Coloring long form projects with very quick turn arounds can be very challenging. In this article, learn techniques for surviving & finishing big projects
In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!
Beauty grading is a discipline all on its own. Dan shares a typical client brief and will offer stages of feedback like a real world client
When is it ok to "sell myself short"? Katie Hinsen suggests taking a more holistic approach to value when considering an opportunity, job or client.
In this insight Dan is reviewing your efforts on his car brief and also sharing his attempt at the shot to show his approach to the grade.
Magic Bullet Looks is a powerful plug-in for creating looks. Does the newest version play back in real-time? How is its performance in Davinci Resolve?